Baroque and Rococo
Drama, movement and deep shadow in the 1600s, then the light, playful decoration of eighteenth-century Europe.
First room, north wall

Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di RomaGiovanni Battista Nolli, 1748Courtesy of the Cleveland Museum of Art 
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di RomaGiovanni Battista Nolli, 1748Courtesy of the Cleveland Museum of Art 
The Triumph of Truth over EnvyMaria Katharina Prestel, 1781Courtesy of the Art Institute of Chicago
First room, south wall

Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di RomaGiovanni Battista Nolli, 1748Courtesy of the Cleveland Museum of Art 
One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engravedFrancesco Bedeschini, Italian, 1675-1699Courtesy of Cooper Hewitt, Smithsonian Design Museum 
The Supper at EmmausGiovanni Battista Piazzetta, c. 1720Courtesy of the Cleveland Museum of Art
Second room, south wall

Cupid ChastisedBartolomeo Manfredi, 1613Courtesy of the Art Institute of Chicago 
View of the Remains of the Praetorian Fort [the Poecile], Hadrian's Villa, Tivoli, from Views of RomeGiovanni Battista Piranesi, 1770Courtesy of the Art Institute of Chicago 
The Ecstasy of Saint FrancisGiovanni Baglione, 1601Courtesy of the Art Institute of Chicago
Second room, north wall

A Young Woman Buying a Pink from a Young ManGiovanni Battista Piazzetta, c. 1740Courtesy of the Cleveland Museum of Art 
Antique Carved Marble Candelabra BaseAndrea di Lione, 1642/44 or 1647/51Courtesy of the Art Institute of Chicago 
Landscape with Rock and FortressDomenico Gargiuli (Micco Spadaro), c. 1645Courtesy of the Art Institute of Chicago 
Soldier in Profile Holding a Pike, from Capricci e habiti militariFilippo Napoletano, 1610/29Courtesy of the Art Institute of Chicago
Third room, north wall

Portrait of a GirlFrancesco Solimena, c. 1700Courtesy of the Art Institute of Chicago 
The Sacrifice of Isaac, Tobias and the Angel, The Angels Appearing to Abraham, Abraham Welcoming the Three Angels (painting series)Francesco Guardi, 1750sCourtesy of the Cleveland Museum of Art 
The Colossal Statue of the Apennines, from Views of Villa di PratolinoStefano della Bella, c. 1653Courtesy of the Art Institute of Chicago