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Edwin Austin Abbey's contemporaries

A few works by Edwin Austin Abbey, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

8 works · hang 8748 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

With their contemporaries

  1. "King Lear," Act I, Scene I, by Edwin Austin Abbey, 1898
    "King Lear," Act I, Scene IEdwin Austin Abbey, 1898Courtesy of The Metropolitan Museum of Art
  2. STUDY OF DRAPERY
    Study of DraperyFrancis Augustus Lathrop, ca. 1895Courtesy of Cooper Hewitt, Smithsonian Design Museum

Their contemporaries

  1. Repose, by John White Alexander, 1895
    ReposeJohn White Alexander, 1895Courtesy of The Metropolitan Museum of Art
  2. A work made of brush and black gray wash heightened with white gouache over graphite, on cream laminate board.
    "As They Threw their Animals Back upon their Haunches," illustration for An Arabian Day and Night, in Harper's New Monthly MagazineFrederic Remington, n.d.Courtesy of the Art Institute of Chicago
  3. The image shows a village scene viewed from a low vantage point near a water's edge. A row of small, closely packed buildings and a church with an onion-shaped dome are prominently featured. There are gentle slopes leading towards the structures. The image uses fine, detailed line work to depict texture and depth in the buildings and natural landscape. The lines are delicate and varied, creating a sense of detail and softness. The color palette is monochromatic, with dark ink on a pale background, resulting in a classic and timeless feel.
    SchwabelweissOtto Henry Bacher, 1879Courtesy National Gallery of Art, Washington

Their contemporaries, second

  1. This is a painting showing two people in nature. The person on the left appears to be running towards the right, with one leg in the air and their arms outstretched. They have tan, golden-toned skin, blond hair, and golden fabric draped loosely around them, billowing backward as they run. On the right is a pale person standing upright in a tree, their arms outstretched. They appear intertwined with the tree, with their feet nestled in the light brown trunk and their head and hands covered in olive-green leaves. The background features indistinct brown shapes against a clear blue sky.
    Apollo and DaphneJohn Singer Sargent, c. 1916/1919Courtesy National Gallery of Art, Washington
  2. STUDY OF LANDSCAPE, DELAWARE RIVER
    Study of landscape, Delaware RiverWilliam Stanley Haseltine, ca. 1855Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. Oil painting
    An Orange Note: Sweet ShopJames McNeill Whistler, 1883 or 1884Courtesy of the National Museum of Asian Art, Smithsonian Institution