The Submersion of Pharaoh's Army in the Red Sea, previewed as a 20 by 16 inch giclée reproduction.

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See it on a wall

Titian

Italian, c. 1488–1576

The Submersion of Pharaoh's Army in the Red Sea1514–15, printed 1549

woodcut

Unframed: 40 x 55 cm (15 3/4 x 21 5/8 in.)

Courtesy of the Cleveland Museum of Art · 1952.296

This composition is made up of 12 separately printed woodcuts to create one image in grand scale. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 191 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
20 × 16 in · image 17¾ × 10
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

This composition is made up of 12 separately printed woodcuts to create one image in grand scale. The size rivals that of a history painting, and, unlike most prints, the composition would have been hung on the wall. This is confirmed by the lack of complete impressions from the date of the print's creation—around 1515. This and all extant impressions date from a later edition, published in 1549 by the publisher Domenico dalle Greche (Italian, active 1543–1558). The woodcut is based on a drawing by the Venetian master Titian, and the bold, expressive, and irregular marks of the woodcutter imitate his drawing manner. The narrative—that of the Israelites’ persecution under the Egyptian pharaoh and his army’s fate when they followed Moses into the Red Sea—is propelled across the 12 sheets with remarkable unity. The rolling clouds and turbulent sea culminate in the solid gravity of the magnificent cliff that overhangs the shore.

Text from the Cleveland Museum of Art.

How it was made

Woodcut
A relief print. The block is cut away around the lines, so the lines stand up to take the ink, and the sheet is pressed onto them.

Titian

Italian, c. 1488–1576 · Born in Pieve di Cadore; died in Venice.

See all 2 works by Titian

Renaissance

European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.

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Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1952.296
Credit
Courtesy of the Cleveland Museum of Art
Type
Print
Department
Prints
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