Mère Grégoire, previewed as a 16 by 20 inch giclée reproduction.

Look closer

See it on a wall

Gustave Courbet

French, 1819–1877

Mère Grégoire1855, reworked 1857–59

Oil on canvas

129 × 97.5 cm (50 3/4 × 38 3/8 in.); Framed: 168 × 137.2 × 16.2 cm (66 1/8 × 54 × 6 3/8 in.)

Courtesy of the Art Institute of Chicago · 1930.78

Gustave Courbet played a crucial role in the development of modern French Realism. More about this work

See it in the galleries

Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 13¼ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

Made to order and shipped within the United States in about a week. Tax and shipping are added at checkout.

Download the full-resolution file, free · public domain, no account needed

About this work

Gustave Courbet played a crucial role in the development of modern French Realism. Critics and the public, however, did not easily accept his large, naturalistic, and unsentimental depictions of commonplace, often rural subjects. They called him the “apostle of ugliness.” This painting's subject, Mère Grégoire, was inspired by the heroine of a popular song, the proprietor of a brothel, written in the 1820s.

Text from the Art Institute of Chicago.

What you’re looking at

Dark portrait of older woman in black dress with lace collar, flowers.

Description from the Art Institute of Chicago.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Gustave Courbet

French, 1819–1877 · Born in Ornans; died in La Tour-de-Peilz.

Courbet left his native Ornans for Paris and became the standard-bearer of Realism, painting ordinary people and his own region on the scale reserved for history painting, as in A Burial at Ornans. When works were refused for the 1855 Exposition Universelle, he showed them in his own Pavilion of Realism. He also painted landscapes, seascapes and hunting scenes. After the Paris Commune of 1871 he was held responsible for the toppling of the Vendôme Column and spent his last years in exile in Switzerland.

Written by Ochre Editions.

See all 7 works by Gustave Courbet

Rights and the museum’s record

Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1930.78
Credit
Courtesy of the Art Institute of Chicago
Type
Painting
Department
Painting and Sculpture of Europe
Report this work

Tell us if this image shouldn't be here, or if its record is wrong. A person reads every report.

What's the concern?

More by Gustave Courbet

All their works

Close in colour

A Hunting Scene

Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio), ca. 1494–1500