Brother Gregorio Belo of Vicenza, previewed as a 16 by 20 inch giclée reproduction.

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Lorenzo Lotto

Italian, 1475–1556

Brother Gregorio Belo of Vicenza1547

Oil on canvas

34 3/8 x 28 in. (87.3 x 71.1 cm)

Courtesy of The Metropolitan Museum of Art · 65.117

Brother Gregorio Belo, a friar of the Hieronymite order, holds a book in one hand and strikes his chest with the other in a gesture of penitence, while behind him a small scene of the Crucifixion appears in a landscape, as if conjured by his meditation. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 13¾ × 16¾
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Brother Gregorio Belo, a friar of the Hieronymite order, holds a book in one hand and strikes his chest with the other in a gesture of penitence, while behind him a small scene of the Crucifixion appears in a landscape, as if conjured by his meditation. Lorenzo Lotto, a Venetian painter of restless originality, painted the portrait in 1547, late in a wandering career spent largely outside Venice, and an inscription records the sitter’s identity. The coarse habit, the intense gaze and the visionary background make it one of the most searching religious portraits of the Renaissance.

Written by Ochre Editions.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Lorenzo Lotto

Italian, 1475–1556 · Born in Venice; died in Loreto.

Lotto was born in Venice but spent much of his restless career elsewhere: in Treviso, Bergamo and the towns of the Marches, with a stay in Rome. Away from the shadow of Titian, he developed an intensely individual style, with sharp colour, unconventional compositions and portraits of unusual psychological depth. His surviving account book records his often precarious finances. He ended his life as an oblate at the shrine of the Holy House at Loreto.

Written by Ochre Editions.

See all 3 works by Lorenzo Lotto

Rights and the museum’s record

Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
65.117
Credit
Courtesy of The Metropolitan Museum of Art
Type
Paintings
Department
European Paintings
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