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Ukiyo-e

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

172 works · hang 8884 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
    A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art
  2. Fuji from Ushibori, Province of Hitachi, by Katsushika Hokusai, 1760–1849
    Fuji from Ushibori, Province of HitachiKatsushika Hokusai, 1760–1849Courtesy of the Cleveland Museum of Art
  3. A work made of color woodblock print; hosoban; triptych.
    The Actors Otani Hiroji III as Yokambei (right), Nakamura Tomijuro I as Kuzunoha (center), and Bando Mitsugoro I as Yakambei (left), in the Last Scene from the Play Shinodazuma (The Wife from Shinoda Forest), Performed as a Supplement to the Play Kikyo-zome Onna Urakata (Female Diviner in Deep Violet), at the Morita Theater from the Ninth Day of the Ninth Month, 1776Katsukawa Shunshō, c. 1776Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. Women Grating Radish for Sashimi, by Kitagawa Utamaro, ca. 1798–99
    Women Grating Radish for SashimiKitagawa Utamaro, ca. 1798–99Courtesy of The Metropolitan Museum of Art
  2. A Picture of the Viewing in the Pleasure Quarters, by Kikukawa Eizan, 1810s
    A Picture of the Viewing in the Pleasure QuartersKikukawa Eizan, 1810sCourtesy of the Cleveland Museum of Art
  3. Russians Enjoying a Holiday in Yokohama (Yokohama kyūjitsu Roshiajin yūkō), by Utagawa (Gountei) Sadahide, 1861
    Russians Enjoying a Holiday in Yokohama (Yokohama kyūjitsu Roshiajin yūkō)Utagawa (Gountei) Sadahide, 1861Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. A work made of color woodblock print; ōban.
    Plum Garden at Kameido (Kameido Umeyashiki), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"Utagawa Hiroshige, 1857Courtesy of the Art Institute of Chicago
  2. French Woman and Girl, from the series Foreign Merchants in Yokohama (Yokohama shōka ijin no zu), by Utagawa (Gountei) Sadahide, 1st month, 1861
    French Woman and Girl, from the series Foreign Merchants in Yokohama (Yokohama shōka ijin no zu)Utagawa (Gountei) Sadahide, 1st month, 1861Courtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print; oban triptych.
    Iris GardenKatsukawa Shunchô, c. 1781/89Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. “Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi), by Kitagawa Utamaro, ca. 1790
    “Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi)Kitagawa Utamaro, ca. 1790Courtesy of The Metropolitan Museum of Art
  2. Screen and Utensils for the Incense Ceremony, by Kubo Shunman, 19th century
    Screen and Utensils for the Incense CeremonyKubo Shunman, 19th centuryCourtesy of The Metropolitan Museum of Art
  3. Ōtsu, from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Ōtsu), 1847–52
    Ōtsu, from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Ōtsu)Unrecorded Japanese maker, 1847–52Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. Two Girls on a Veranda beside a Stream with the Moon, by Suzuki Harunobu
    Two Girls on a Veranda beside a Stream with the MoonSuzuki HarunobuCourtesy of The Metropolitan Museum of Art
  2. Xu You and Chao Fu, by Okumura Masanobu, 18th century
    Xu You and Chao FuOkumura Masanobu, 18th centuryCourtesy of The Metropolitan Museum of Art

Section 3, south wall

  1. A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
    A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art
  2. A work made of color woodblock print with metallic pigments; surimono shikishiban.
    Woman About to Write a PoemYashima Gakutei, c. 1824Courtesy of the Art Institute of Chicago