Ukiyo-e
Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.
Section 1, north wall

The Monkey BridgeKatsushika Taito II, early 1830sCourtesy of the Cleveland Museum of Art 
Russians Enjoying a Holiday in Yokohama (Yokohama kyūjitsu Roshiajin yūkō)Utagawa (Gountei) Sadahide, 1861Courtesy of The Metropolitan Museum of Art 
Foreign Family with Wife Making Clothes (Gaikokujin ifuku shitate no zu)Utagawa Yoshikazu, 1860Courtesy of The Metropolitan Museum of Art
Section 1, south wall

The GossipsSuzuki Harunobu, ca. 1767Courtesy of The Metropolitan Museum of Art 
Three Kabuki Actors Playing HanetsukiUtagawa Kuniyasu, ca. 1823Courtesy of The Metropolitan Museum of Art 
Perspective Pictures for The Treasure House of LoyaltyKitao Masayoshi, c. 1790sCourtesy of the Cleveland Museum of Art
Section 2, south wall

Procession of Russian Marching Band, from the Album of seven prints of Russian Army and Warship (Roshia seigi shashin kan), 1853Keiga, 1853Courtesy of the Art Institute of Chicago 
Dyers at WorkKatsushika Hokusai, c. 1800Courtesy of the Cleveland Museum of Art
Section 2, north wall

Morning Glories, Pinks, and Maiden Flower, from the series "Seven Autumn Flowers in Moonlight"Utagawa Hiroshige, 1830/44Courtesy of the Art Institute of Chicago 
Tsuten-kyo Bridge, Tofuku Temple, Kyoto (Kyoto Tofukuji Tsutenkyo bashi) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”Utagawa Hiroshige II, 1859Courtesy of the Art Institute of Chicago 
Courting Komachi (Kayoi Komachi), from the series Seven Fashionable Figures of Ono no Komachi (Furyu nana Komachi yatushi sugata-e)Utagawa Toyokuni, Edo period (1615–1868), about 1792Courtesy of the Art Institute of Chicago
Section 3, north wall

PeoniesKitagawa Utamaro, n.d.Courtesy of the Art Institute of Chicago 
Books and CardsReisai, 18th–19th centuryCourtesy of The Metropolitan Museum of Art 
Collection of Desires, Wish for Foreign Travel (Mitate Tai zukushi-yōkō ga shitai)Tsukioka Yoshitoshi, January, 1878Courtesy of The Metropolitan Museum of Art
Section 3, south wall

Matsumoto Koshiro IV as the Fish Peddler GorobeiTōshūsai Sharaku, Probably late 1880s or early 1890sCourtesy of The Metropolitan Museum of Art 
Scene of Foxfire (Kitsunebi) from the Play Honchō nijūshikōYōshū (Hashimoto) Chikanobu, 1898Courtesy of The Metropolitan Museum of Art