Ukiyo-e
Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.
Section 1, north wall

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, 1830/33Courtesy of the Art Institute of Chicago 
Irises at Horikiri (Horikiri no hanashobu), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"Utagawa Hiroshige, 1857Courtesy of the Art Institute of Chicago 
Plate from the Erotic Book Mounds of Dyed Colors: A Pattern Book for the Boudoir (Someiro no yama neya no hinagata), First MonthOkumura Masanobu, ca. 1736–44Courtesy of The Metropolitan Museum of Art
Section 1, south wall

Tsuten-kyo Bridge, Tofuku Temple, Kyoto (Kyoto Tofukuji Tsutenkyo bashi) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”Utagawa Hiroshige II, 1859Courtesy of the Art Institute of Chicago 
Foreign Business Establishment in Yokohama (Yokohama ijin shōkan shashin no zu)Utagawa (Gountei) Sadahide, 1861Courtesy of The Metropolitan Museum of Art 
Amida Falls in the Far Reaches of the Kisokaido (Kisoji no oku Amidagataki), from the series "A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)"Katsushika Hokusai, About 1833Courtesy of the Art Institute of Chicago
Section 2, south wall

Courting Komachi (Kayoi Komachi), from the series Seven Fashionable Figures of Ono no Komachi (Furyu nana Komachi yatushi sugata-e)Utagawa Toyokuni, Edo period (1615–1868), about 1792Courtesy of the Art Institute of Chicago 
Xu You and Chao FuOkumura Masanobu, 18th centuryCourtesy of The Metropolitan Museum of Art 
A Windy Day under the Cherry TreesUtagawa Toyokuni, c. 1797Courtesy of the Art Institute of Chicago
Section 2, north wall

Standing BeautyKaigetsudo Anchi, About 1714Courtesy of the Art Institute of Chicago 
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)Katsushika Hokusai, ca. 1830–32Courtesy of The Metropolitan Museum of Art 
A Picture by Hishikawa Moronobu: Woman with a Set of Poem CardsTotoya Hokkei, mid 1820sCourtesy of the Cleveland Museum of Art
Section 3, north wall

Fudō Myōō Threatening a NoviceTsukioka Yoshitoshi, 1885Courtesy of The Metropolitan Museum of Art 
Lake Suwa in Shinano Province (Shinshu Suwako), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, c. 1830/33Courtesy of the Art Institute of Chicago
Section 3, south wall

Collection of Desires, Wish for Foreign Travel (Mitate Tai zukushi-yōkō ga shitai)Tsukioka Yoshitoshi, January, 1878Courtesy of The Metropolitan Museum of Art 
The Poetess Ono no KomachiSuzuki Harunobu, Edo period (1615–1868), 1767/68Courtesy of the Art Institute of Chicago