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Ukiyo-e

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

172 works · hang 2903 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. A work made of color woodblock print; oban triptych.
    Young man and his party crossing a stream before Mt. FujiKitagawa Utamaro, c. 1798/1800Courtesy of the Art Institute of Chicago
  2. Ōtsu, from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Ōtsu), 1847–52
    Ōtsu, from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Ōtsu)Unrecorded Japanese maker, 1847–52Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Foreigners Enjoying a Party (Gaikokujin yūkyō no zu), by Utagawa Yoshitora, 1st month, 1861
    Foreigners Enjoying a Party (Gaikokujin yūkyō no zu)Utagawa Yoshitora, 1st month, 1861Courtesy of The Metropolitan Museum of Art
  2. Ichikawa Ebizo IV in the role of Takemura Sadanoshin, by Tōshūsai Sharaku, Probably late 1880s or early 1890s
    Ichikawa Ebizo IV in the role of Takemura SadanoshinTōshūsai Sharaku, Probably late 1880s or early 1890sCourtesy of The Metropolitan Museum of Art
  3. “Hour of the Rat: Mistress,” from the series Women’s Daily Customs (Fuzoku bijin tokei), by Kitagawa Utamaro, 1790
    “Hour of the Rat: Mistress,” from the series Women’s Daily Customs (Fuzoku bijin tokei)Kitagawa Utamaro, 1790Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. Fudō Myōō Threatening a Novice, by Tsukioka Yoshitoshi, 1885
    Fudō Myōō Threatening a NoviceTsukioka Yoshitoshi, 1885Courtesy of The Metropolitan Museum of Art
  2. “Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi), by Kitagawa Utamaro, ca. 1790
    “Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi)Kitagawa Utamaro, ca. 1790Courtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print; oban.
    Three Beauties of Our Time (Tosei san bijin)Chokosai Eisho, n.d.Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. A work made of color woodblock print.
    Procession of Russian Marching Band, from the Album of seven prints of Russian Army and Warship (Roshia seigi shashin kan), 1853Keiga, 1853Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; vertical oban diptych.
    Image of a Japanese Woman (Fujo Yamato sugata)Utagawa Kunisada I (Toyokuni III), c. 1830/35Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. Boating Party on the Sumida River, by Torii Kiyonaga, 1789
    Boating Party on the Sumida RiverTorii Kiyonaga, 1789Courtesy of the Cleveland Museum of Art
  2. A work made of color woodblock print; oban triptych.
    Eight Modern Views of Famous Places in Tokyo of Great Japan (Dai Nippon Tokyo kaika meisho hakkei no zu)Utagawa Kunisada II (Kunimasa III, Toyokuni IV), 1875Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. A work made of hand-colored woodblock print; toku-oban, urushi-e.
    Courtesan Reading a LetterIshikawa Toyonobu, c. 1745Courtesy of the Art Institute of Chicago
  2. Matsumoto Koshiro IV as the Fish Peddler Gorobei, by Tōshūsai Sharaku, Probably late 1880s or early 1890s
    Matsumoto Koshiro IV as the Fish Peddler GorobeiTōshūsai Sharaku, Probably late 1880s or early 1890sCourtesy of The Metropolitan Museum of Art

Section 4, south wall

  1. Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), by Katsushika Hokusai, ca. 1830–32
    Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)Katsushika Hokusai, ca. 1830–32Courtesy of The Metropolitan Museum of Art
  2. Leftmost Print from Pleasure Boats on the Sumida River beneath Shin-Ōhashi Bridge, by Chôbunsai Eishi, c. 1792
    Leftmost Print from Pleasure Boats on the Sumida River beneath Shin-Ōhashi BridgeChôbunsai Eishi, c. 1792Courtesy of the Cleveland Museum of Art