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Ukiyo-e

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

172 works · hang 2881 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. French Woman and Girl, from the series Foreign Merchants in Yokohama (Yokohama shōka ijin no zu), by Utagawa (Gountei) Sadahide, 1st month, 1861
    French Woman and Girl, from the series Foreign Merchants in Yokohama (Yokohama shōka ijin no zu)Utagawa (Gountei) Sadahide, 1st month, 1861Courtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; chuban.
    Viewing the MoonSuzuki Harunobu, c. 1767/68Courtesy of the Art Institute of Chicago
  3. Dyers at Work, by Katsushika Hokusai, c. 1800
    Dyers at WorkKatsushika Hokusai, c. 1800Courtesy of the Cleveland Museum of Art

Section 1, south wall

  1. A work made of color woodblock print with metallic pigments; surimono shikishiban.
    Woman About to Write a PoemYashima Gakutei, c. 1824Courtesy of the Art Institute of Chicago
  2. England (Igirisukoku), by Utagawa Yoshitora, 2nd month, 1865
    England (Igirisukoku)Utagawa Yoshitora, 2nd month, 1865Courtesy of The Metropolitan Museum of Art
  3. A work made of page from a color woodblock-printed volume.
    The Poetess Shunzei no Musume, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)Chôbunsai Eishi, Edo period (1615–1868), 1801Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. A work made of hand-colored woodblock print; toku-oban, urushi-e.
    Courtesan Reading a LetterIshikawa Toyonobu, c. 1745Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; ōban.
    Plum Garden at Kameido (Kameido Umeyashiki), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"Utagawa Hiroshige, 1857Courtesy of the Art Institute of Chicago
  3. Shimosuwa, from Sixty-Nine Stations of the Kisokaidō, by Utagawa Hiroshige, 1835–38
    Shimosuwa, from Sixty-Nine Stations of the KisokaidōUtagawa Hiroshige, 1835–38Courtesy of the Cleveland Museum of Art

Section 2, north wall

  1. “Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi), by Kitagawa Utamaro, ca. 1790
    “Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi)Kitagawa Utamaro, ca. 1790Courtesy of The Metropolitan Museum of Art
  2. Lovers Walking in the Snow (Crow and Heron), by Suzuki Harunobu, 1764–72
    Lovers Walking in the Snow (Crow and Heron)Suzuki Harunobu, 1764–72Courtesy of The Metropolitan Museum of Art
  3. Foreigners Enjoying a Party (Gaikokujin yūkyō no zu), by Utagawa Yoshitora, 1st month, 1861
    Foreigners Enjoying a Party (Gaikokujin yūkyō no zu)Utagawa Yoshitora, 1st month, 1861Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. Ōtsu, from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Ōtsu), 1847–52
    Ōtsu, from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Ōtsu)Unrecorded Japanese maker, 1847–52Courtesy of The Metropolitan Museum of Art
  2. Evening Snow at Kanbara, from the series "Fifty-three Stations of the Tōkaidō", by Utagawa Hiroshige, ca. 1833–34
    Evening Snow at Kanbara, from the series "Fifty-three Stations of the Tōkaidō"Utagawa Hiroshige, ca. 1833–34Courtesy of The Metropolitan Museum of Art

Section 3, south wall

  1. A work made of color woodblock print; uchiwa-e.
    Morning Glories, Pinks, and Maiden Flower, from the series "Seven Autumn Flowers in Moonlight"Utagawa Hiroshige, 1830/44Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; oban.
    Fireworks at Ryōgoku (Ryōgoku hanabi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)Utagawa Hiroshige, 1858Courtesy of the Art Institute of Chicago