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Ukiyo-e

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

172 works · hang 2107 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. A Picture of the Viewing in the Pleasure Quarters, by Kikukawa Eizan, 1810s
    A Picture of the Viewing in the Pleasure QuartersKikukawa Eizan, 1810sCourtesy of the Cleveland Museum of Art
  2. Outfit for the Game of Incense, by Ryūryūkyo Shinsai, 19th century
    Outfit for the Game of IncenseRyūryūkyo Shinsai, 19th centuryCourtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print; hosoban; triptych.
    The Actors Otani Hiroji III as Yokambei (right), Nakamura Tomijuro I as Kuzunoha (center), and Bando Mitsugoro I as Yakambei (left), in the Last Scene from the Play Shinodazuma (The Wife from Shinoda Forest), Performed as a Supplement to the Play Kikyo-zome Onna Urakata (Female Diviner in Deep Violet), at the Morita Theater from the Ninth Day of the Ninth Month, 1776Katsukawa Shunshō, c. 1776Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. Ichikawa Monnosuke II as Soga no Gorō, by Katsukawa Shunkō, 1779
    Ichikawa Monnosuke II as Soga no GorōKatsukawa Shunkō, 1779Courtesy of the Cleveland Museum of Art
  2. A work made of color woodblock print; shikishiban, surimono.
    Distant View of Mount Fuji at Dawn from HakoneUtagawa Kuniyoshi, c. 1828/30Courtesy of the Art Institute of Chicago
  3. View of Futami Beach at Ise, by Shōtei Hokuju, ca. 1810–1820
    View of Futami Beach at IseShōtei Hokuju, ca. 1810–1820Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. Hara: Mount Fuji in the Morning (Hara, Asa no Fuji), from the series Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi), also known as the First Tōkaidō or Great Tōkaidō, by Utagawa Hiroshige, ca. 1833–34
    Hara: Mount Fuji in the Morning (Hara, Asa no Fuji), from the series Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi), also known as the First Tōkaidō or Great TōkaidōUtagawa Hiroshige, ca. 1833–34Courtesy of The Metropolitan Museum of Art
  2. Bandō Mitsugorō III as Daihanji Kiyozumi and Arashi Koroku IV as Koganosuke, by Shunkōsai Hokushū, 1821
    Bandō Mitsugorō III as Daihanji Kiyozumi and Arashi Koroku IV as KoganosukeShunkōsai Hokushū, 1821Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. A work made of color woodblock print; oban triptych.
    Picture of Men and Women from Many Countries (Bankoku danjo jinbutsu zue)Utagawa Yoshiiku, 1861Courtesy of the Art Institute of Chicago
  2. Russians Enjoying a Holiday in Yokohama (Yokohama kyūjitsu Roshiajin yūkō), by Utagawa (Gountei) Sadahide, 1861
    Russians Enjoying a Holiday in Yokohama (Yokohama kyūjitsu Roshiajin yūkō)Utagawa (Gountei) Sadahide, 1861Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. A Picture by Hishikawa Moronobu: Woman with a Set of Poem Cards, by Totoya Hokkei, mid 1820s
    A Picture by Hishikawa Moronobu: Woman with a Set of Poem CardsTotoya Hokkei, mid 1820sCourtesy of the Cleveland Museum of Art
  2. Tobacco Pouch and Pipe, by Kubo Shunman, 1813
    Tobacco Pouch and PipeKubo Shunman, 1813Courtesy of The Metropolitan Museum of Art

Section 3, south wall

  1. A work made of color woodblock print; oban triptych.
    Young man and his party crossing a stream before Mt. FujiKitagawa Utamaro, c. 1798/1800Courtesy of the Art Institute of Chicago
  2. Yamauba and Kintarō Playing with a Cherry, by Kitagawa Utamaro, ca. 1795
    Yamauba and Kintarō Playing with a CherryKitagawa Utamaro, ca. 1795Courtesy of The Metropolitan Museum of Art

Section 4, south wall

  1. Scene from a Play, by Katsukawa Shunjō, ca. 1780
    Scene from a PlayKatsukawa Shunjō, ca. 1780Courtesy of The Metropolitan Museum of Art
  2. Collection of Desires, Wish for Foreign Travel (Mitate Tai zukushi-yōkō ga shitai), by Tsukioka Yoshitoshi, January, 1878
    Collection of Desires, Wish for Foreign Travel (Mitate Tai zukushi-yōkō ga shitai)Tsukioka Yoshitoshi, January, 1878Courtesy of The Metropolitan Museum of Art