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Ukiyo-e

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

172 works · hang 1468 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. Print showing a string of travelers with horses walking along a narrow hillside path beneath an enormous craggy beige mountain at left and an equally massive and craggy deep-blue mountain at right. A brown snow-covered peak appears between these mountains. A mass of cream-colored clouds and a river with rounded ripples fill the middle plane of the composition.
    The Back of Mount Fuji Seen from Minobu River (Minobugawa Urafuji), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)Katsushika Hokusai, 1830-33Courtesy of the Art Institute of Chicago
  2. Screen and Utensils for the Incense Ceremony, by Kubo Shunman, 19th century
    Screen and Utensils for the Incense CeremonyKubo Shunman, 19th centuryCourtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print.
    Tsuten-kyo Bridge, Tofuku Temple, Kyoto (Kyoto Tofukuji Tsutenkyo bashi) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”Utagawa Hiroshige II, 1859Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. Ōtsu, from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Ōtsu), 1847–52
    Ōtsu, from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Ōtsu)Unrecorded Japanese maker, 1847–52Courtesy of The Metropolitan Museum of Art
  2. Passengers in a Ferry Boat on the Sumida River, by Torii Kiyonaga, 1784
    Passengers in a Ferry Boat on the Sumida RiverTorii Kiyonaga, 1784Courtesy of the Cleveland Museum of Art
  3. A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
    A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art

Section 2, south wall

  1. A work made of color woodblock print; long surimono.
    Plants, Porcelain Bowl, and Glass GobletKatsukawa Shunshō, c. 1789Courtesy of the Art Institute of Chicago
  2. Young Woman Looking at a Pot of Pinks, by Suzuki Harunobu, c. 1767
    Young Woman Looking at a Pot of PinksSuzuki Harunobu, c. 1767Courtesy of the Cleveland Museum of Art

Section 2, north wall

  1. Foreigners Enjoying a Party (Gaikokujin yūkyō no zu), by Utagawa Yoshitora, 1st month, 1861
    Foreigners Enjoying a Party (Gaikokujin yūkyō no zu)Utagawa Yoshitora, 1st month, 1861Courtesy of The Metropolitan Museum of Art
  2. Danjūrō VII's Benkei as Fudō Myōō, by Utagawa Kunisada, ca. 1824
    Danjūrō VII's Benkei as Fudō MyōōUtagawa Kunisada, ca. 1824Courtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print; oban.
    In The Mood for a Walk (Yuho ga shitaso), from the series "Thirty-two Aspects of Women (Fuzoku sanjuniso)"Tsukioka Yoshitoshi, 1888Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. A Picture of the Viewing in the Pleasure Quarters, by Kikukawa Eizan, 1810s
    A Picture of the Viewing in the Pleasure QuartersKikukawa Eizan, 1810sCourtesy of the Cleveland Museum of Art
  2. The Gossips, by Suzuki Harunobu, ca. 1767
    The GossipsSuzuki Harunobu, ca. 1767Courtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print; chuban.
    Flower ArrangingKitao Shigemasa, c. 1769Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei), by Suzuki Harunobu, ca. 1766
    Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei)Suzuki Harunobu, ca. 1766Courtesy of The Metropolitan Museum of Art
  2. Women Grating Radish for Sashimi, by Kitagawa Utamaro, ca. 1798–99
    Women Grating Radish for SashimiKitagawa Utamaro, ca. 1798–99Courtesy of The Metropolitan Museum of Art