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The galleries · Style galleries

Romanticism

Sublime landscapes, storms and feeling, from about 1780 to 1850.

32 works · hang 9759 ·

Share Romanticism, in the galleries

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. We look across and down at a channel of water separating two landmasses labeled "Boston" and "Charles Town" in this horizontal landscape painting. Four three-masted ships are in the aquamarine-blue harbor between us and the land. Three of them have their sails unfurled and smoke billows from the broad, starboard side of each. Tidy rows of brown houses line the area of Boston. A puff of white smoke rises from the farthest point. Two arrow-shaped missiles, perhaps projectiles on fire, arc toward Charles Town, where billowing gray plumes of smoke rise from vivid orange fire on the far side of the landmass. Rowboats bring soldiers to the shore of Charles Town, close to where hundreds of soldiers line up and fire at each other. Much of the rest of Charles Town is a hill leading to sheer cliffs to our right. Tan and gray-colored smoke mixes among bright white clouds against a pale blue sky on the top half of the painting.
    Attack on Bunker's Hill, with the Burning of Charles TownUnrecorded American maker, 1783 or afterCourtesy National Gallery of Art, Washington
  2. Basket of Fruit, c. 1830
    Basket of FruitUnrecorded American maker, c. 1830Courtesy National Gallery of Art, Washington
  3. A work made of etching on ivory wove paper.
    Child with RosebudPhillip Otto Runge, n.d.Courtesy of the Art Institute of Chicago
  4. Washington Reviewing the Western Army at Fort Cumberland, Maryland, by Frederick Kemmelmeyer, after 1795
    Washington Reviewing the Western Army at Fort Cumberland, MarylandFrederick Kemmelmeyer, after 1795Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. A work made of oil on canvas.
    Inside the ColosseumFranz Ludwig Catel, c. 1823Courtesy of the Art Institute of Chicago
  2. Mother and Son, by Thomas Sully, 1840
    Mother and SonThomas Sully, 1840Courtesy of The Metropolitan Museum of Art
  3. Mrs. Mayer and Daughter, by Ammi Phillips, 1835–40
    Mrs. Mayer and DaughterAmmi Phillips, 1835–40Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. A work made of oil on paper, laid onto cardboard.
    A Farmhouse in the Bavarian AlpsJohann Georg von Dillis, c. 1825Courtesy of the Art Institute of Chicago
  2. The Alling Children, by Oliver Tarbell Eddy, ca. 1839
    The Alling ChildrenOliver Tarbell Eddy, ca. 1839Courtesy of The Metropolitan Museum of Art
  3. Landscape—Scene from "Thanatopsis", by Asher Brown Durand, 1850
    Landscape—Scene from "Thanatopsis"Asher Brown Durand, 1850Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. Elijah Boardman, by Ralph Earl, 1789
    Elijah BoardmanRalph Earl, 1789Courtesy of The Metropolitan Museum of Art
  2. The Falls of Niagara, by Edward Hicks, ca. 1825
    The Falls of NiagaraEdward Hicks, ca. 1825Courtesy of The Metropolitan Museum of Art
  3. Panoramic View of the Palace and Gardens of Versailles, by John Vanderlyn, 1818–19
    Panoramic View of the Palace and Gardens of VersaillesJohn Vanderlyn, 1818–19Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. The image shows a woman standing upright with a small red book in her right hand. She has a fair complexion, neutral expression, slightly arched eyebrows, and small, rounded lips. Her dark brown hair is styled in an updo with a black accessory. She wears a high-necked dark dress with puffed sleeves and a white collar. The background is plain blue. The woman is not wearing any visible jewelry, and the setting is minimalistic with only the book present.
    Anonymous WomanUnrecorded American maker, c. 1830Courtesy National Gallery of Art, Washington
  2. A FRENCH RESTORATION BEDROOM
    A French Restoration BedroomBouilhet, French, 1823Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. George Washington, by Gilbert Stuart, begun 1795
    George WashingtonGilbert Stuart, begun 1795Courtesy of The Metropolitan Museum of Art

Walk on

  • Romanticism, room 2
  • Gilbert Stuart's contemporaries 8 works
  • 18th-century United States 21 works
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