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Romanticism

Sublime landscapes, storms and feeling, from about 1780 to 1850.

32 works · hang 4516 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. George Washington, by Gilbert Stuart, begun 1795
    George WashingtonGilbert Stuart, begun 1795Courtesy of The Metropolitan Museum of Art
  2. Washington Reviewing the Western Army at Fort Cumberland, Maryland, by Frederick Kemmelmeyer, after 1795
    Washington Reviewing the Western Army at Fort Cumberland, MarylandFrederick Kemmelmeyer, after 1795Courtesy of The Metropolitan Museum of Art
  3. Mother and Son, by Thomas Sully, 1840
    Mother and SonThomas Sully, 1840Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Basket of Fruit, c. 1830
    Basket of FruitUnrecorded American maker, c. 1830Courtesy National Gallery of Art, Washington
  2. The image shows a man's head and part of his neck in profile view. The man is looking to the left, showcasing his facial features. He has a prominent nose, cheekbones, dark hair with hints of gray at the sides, and a white beard under his chin. He is wearing a gray collar that is partially visible. The background is a plain, muted brown color. There are no objects or jewelry visible in the image.
    Profile of a Man with SidewhiskersUnrecorded German maker, c. 1850Courtesy National Gallery of Art, Washington
  3. Four women with musical instruments lounge in a massive garden courtyard.
    The Interior of the Palm House on the Pfaueninsel Near PotsdamCarl Blechen, 1834Courtesy of the Art Institute of Chicago
  4. A work made of oil on canvas.
    The Fountain at GrottaferrataAdrian Ludwig (Ludwig) Richter, 1832Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. Fur Traders Descending the Missouri, by George Caleb Bingham, 1845
    Fur Traders Descending the MissouriGeorge Caleb Bingham, 1845Courtesy of The Metropolitan Museum of Art
  2. Mrs. Mayer and Daughter, by Ammi Phillips, 1835–40
    Mrs. Mayer and DaughterAmmi Phillips, 1835–40Courtesy of The Metropolitan Museum of Art
  3. A FRENCH RESTORATION BEDROOM
    A French Restoration BedroomBouilhet, French, 1823Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 2, north wall

  1. The Alling Children, by Oliver Tarbell Eddy, ca. 1839
    The Alling ChildrenOliver Tarbell Eddy, ca. 1839Courtesy of The Metropolitan Museum of Art
  2. Captain John Gell, by Gilbert Stuart, 1785
    Captain John GellGilbert Stuart, 1785Courtesy of The Metropolitan Museum of Art
  3. A work made of etching on ivory wove paper.
    Child with RosebudPhillip Otto Runge, n.d.Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. We look across and down at a channel of water separating two landmasses labeled "Boston" and "Charles Town" in this horizontal landscape painting. Four three-masted ships are in the aquamarine-blue harbor between us and the land. Three of them have their sails unfurled and smoke billows from the broad, starboard side of each. Tidy rows of brown houses line the area of Boston. A puff of white smoke rises from the farthest point. Two arrow-shaped missiles, perhaps projectiles on fire, arc toward Charles Town, where billowing gray plumes of smoke rise from vivid orange fire on the far side of the landmass. Rowboats bring soldiers to the shore of Charles Town, close to where hundreds of soldiers line up and fire at each other. Much of the rest of Charles Town is a hill leading to sheer cliffs to our right. Tan and gray-colored smoke mixes among bright white clouds against a pale blue sky on the top half of the painting.
    Attack on Bunker's Hill, with the Burning of Charles TownUnrecorded American maker, 1783 or afterCourtesy National Gallery of Art, Washington
  2. A work made of oil on paper, laid onto cardboard.
    A Farmhouse in the Bavarian AlpsJohann Georg von Dillis, c. 1825Courtesy of the Art Institute of Chicago
  3. Luman Reed, by Asher Brown Durand, 1835
    Luman ReedAsher Brown Durand, 1835Courtesy of The Metropolitan Museum of Art