The Fountain at Grottaferrata, previewed as a 16 by 20 inch giclée reproduction.

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Adrian Ludwig (Ludwig) Richter

German, 1803–1884

The Fountain at Grottaferrata1832

Oil on canvas

113 × 99.5 cm (44 3/8 × 39 in.); Framed: 135.9 × 122 cm (53 1/2 × 48 in.)

Courtesy of the Art Institute of Chicago · 2011.123

Full of golden light, this painting depicts an idealized view of the Italian countryside. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 13¾ × 15¾
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Full of golden light, this painting depicts an idealized view of the Italian countryside. Like many young artists of the time, Richter traveled to Rome from Germany to study Classical ruins and the Mediterranean landscape. This work, finished years after he returned to Germany, is based on his detailed drawings of the countryside just outside Rome, including elements that made the site famous, like the fortified monastery in the background.

Text from the Art Institute of Chicago.

What you’re looking at

A work made of oil on canvas.

Description from the Art Institute of Chicago.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Adrian Ludwig (Ludwig) Richter

German, 1803–1884

Romanticism

Sublime landscapes, storms and feeling, from about 1780 to 1850.

More from Romanticism

Rights and the museum’s record

Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
2011.123
Credit
Courtesy of the Art Institute of Chicago
Type
Painting
Department
Painting and Sculpture of Europe
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Job

Spanish, c. 1618–c. 1630