Realism
Ordinary people and working lives, painted as they were, from the 1840s on.
First room, north wall

The Veteran in a New FieldWinslow Homer, 1865Courtesy of The Metropolitan Museum of Art 
NocturneJohn La Farge, ca. 1885Courtesy of The Metropolitan Museum of Art 
Factory--Study for "Ironworkers, Noontime"/Verso: Still Life with OrangeThomas Anshutz, (1880)Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution 
Young Husband: First MarketingLilly Martin Spencer, 1854Courtesy of The Metropolitan Museum of Art
First room, south wall

John Quincy Adams WardHenry Augustus Loop, 1863Courtesy of The Metropolitan Museum of Art 
Stage Fort across Gloucester HarborFitz Henry Lane, 1862Courtesy of The Metropolitan Museum of Art 
Autumn OaksGeorge Inness, ca. 1878Courtesy of The Metropolitan Museum of Art
Second room, south wall

Approaching Thunder StormMartin Johnson Heade, 1859Courtesy of The Metropolitan Museum of Art 
Pink Note–Shelling PeasJames McNeill Whistler, 1882-1884Courtesy of the National Museum of Asian Art, Smithsonian Institution 
Wild Roses and IrisesJohn La Farge, 1887Courtesy of The Metropolitan Museum of Art 
An Orange Note: Sweet ShopJames McNeill Whistler, 1883 or 1884Courtesy of the National Museum of Asian Art, Smithsonian Institution
Second room, north wall

At the SeasideWilliam Merritt Chase, ca. 1892Courtesy of The Metropolitan Museum of Art 
Arrangement in Flesh Colour and Black: Portrait of Theodore DuretJames McNeill Whistler, 1883Courtesy of The Metropolitan Museum of Art 
Garden View, BrooklynFidelia Bridges, ca. 1867Courtesy of The Metropolitan Museum of Art
Third room, north wall

Madame X (Virginie Amélie Avegno Gautreau)John Singer Sargent, 1883–84Courtesy of The Metropolitan Museum of Art 
Rookwood PotteryGeorge Gibson, 1886Courtesy of Cooper Hewitt, Smithsonian Design Museum