Realism
Ordinary people and working lives, painted as they were, from the 1840s on.
First room, north wall

Untitled (Cracked Watermelon)Charles Ethan Porter, ca. 1890Courtesy of The Metropolitan Museum of Art 
At the SeasideWilliam Merritt Chase, ca. 1892Courtesy of The Metropolitan Museum of Art 
Stage Fort across Gloucester HarborFitz Henry Lane, 1862Courtesy of The Metropolitan Museum of Art
First room, south wall

Factory--Study for "Ironworkers, Noontime"/Verso: Still Life with OrangeThomas Anshutz, (1880)Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution 
Dance in a Subterranean Roundhouse at Clear Lake, CaliforniaJules Tavernier, 1878Courtesy of The Metropolitan Museum of Art 
Still Life—Violin and MusicWilliam Michael Harnett, 1888Courtesy of The Metropolitan Museum of Art
Second room, south wall

SunriseGeorge Inness, 1887Courtesy of The Metropolitan Museum of Art 
Variations in Violet and Grey—Market Place, DieppeJames McNeill Whistler, 1885Courtesy of The Metropolitan Museum of Art 
Seventh Regiment on Review, Washington Square, New YorkOtto Boetticher, 1851Courtesy of The Metropolitan Museum of Art
Second room, north wall

Madame X (Virginie Amélie Avegno Gautreau)John Singer Sargent, 1883–84Courtesy of The Metropolitan Museum of Art 
Harmony in Green and Rose: The Music RoomJames McNeill Whistler, 1860-1861Courtesy of the National Museum of Asian Art, Smithsonian Institution 
Garden View, BrooklynFidelia Bridges, ca. 1867Courtesy of The Metropolitan Museum of Art
Third room, north wall

Reapers Resting in a Wheat FieldJohn Singer Sargent, 1885Courtesy of The Metropolitan Museum of Art 
Autumn OaksGeorge Inness, ca. 1878Courtesy of The Metropolitan Museum of Art
Third room, south wall

A Village SquareWalter Shirlaw, 1875–80Courtesy of Cooper Hewitt, Smithsonian Design Museum 
Talking It OverEnoch Wood Perry, 1872Courtesy of The Metropolitan Museum of Art