Ochre Editions
SearchSign inCart (0)

Prints of the 19th century

Prints made in the 19th century, from every museum.

159 works · hang 3361 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. Illustration of a Balloon Ascending (Fūsen shōyō no zu), by Utagawa Yoshitora, November, 1872
    Illustration of a Balloon Ascending (Fūsen shōyō no zu)Utagawa Yoshitora, November, 1872Courtesy of The Metropolitan Museum of Art
  2. The image shows a residential area with barren trees, rooftops of houses, and people walking along fences. The trees sway in the wind, their branches extending in various directions. The scene is depicted in a monochromatic black and white style, with expressive lines creating a sense of movement and a sketch-like quality. The horizon is high, showing rooftops and the sun above it.
    LandscapeTheo von BrockhusenCourtesy National Gallery of Art, Washington

Section 1, south wall

  1. A work made of color woodblock print, oban triptych.
    Sei Shonagon, from the series Ancient Patterns (Kodai moyo)Kobayashi Kiyochika, Meiji period (1896–1912), 1896Courtesy of the Art Institute of Chicago
  2. This image shows an elevated view of a grassy landscape with sparse trees and vegetation at the horizon. The linear brushstrokes create texture and movement in the grass and sky. The color palette is monochromatic with sepia tones. In the foreground, a figure is on a horse amidst tall grasses, while in the distance, another figure stands on the left and a cluster of trees is on the right. The sky has wisps of clouds.
    Path through a Wheat Field (Sentier dans les bles)Charles-François Daubigny, 1862Courtesy National Gallery of Art, Washington

Section 2, south wall

  1. Foreigners in the Drawing Room of Foreign Merchant's House in Yokohama, by Utagawa (Gountei) Sadahide, 9th month, 1861
    Foreigners in the Drawing Room of Foreign Merchant's House in YokohamaUtagawa (Gountei) Sadahide, 9th month, 1861Courtesy of The Metropolitan Museum of Art
  2. Print showing a string of travelers with horses walking along a narrow hillside path beneath an enormous craggy beige mountain at left and an equally massive and craggy deep-blue mountain at right. A brown snow-covered peak appears between these mountains. A mass of cream-colored clouds and a river with rounded ripples fill the middle plane of the composition.
    The Back of Mount Fuji Seen from Minobu River (Minobugawa Urafuji), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)Katsushika Hokusai, 1830-33Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. A work made of lithograph from two stones on off-white wove paper.
    Interior of the Lemercier Lithographic Printing HouseCharles Villemin, n.d.Courtesy of the Art Institute of Chicago
  2. A work made of woodblock print, ink and colors on paper.
    Kanagawa in Musashi Province: Distant View of Yokohama (Yokohama enbo), from the series Calligraphy and Pictures for the Fifty-three Stations of the Tokaido (Shoga gojusan eki)Utagawa Yoshimori, 1982Courtesy of the Art Institute of Chicago
  3. The Coolest Spot in New England--Summit of Mount Washington, from Harper's Bazar, July 23, 1870, by Winslow Homer, 1870
    The Coolest Spot in New England--Summit of Mount Washington, from Harper's Bazar, July 23, 1870Winslow Homer, 1870Courtesy of the Smithsonian American Art Museum

Section 3, north wall

  1. A work made of color woodblock print; oban.
    The Plum Orchard at Kamata (Kamata no umezono), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"Utagawa Hiroshige, 1857Courtesy of the Art Institute of Chicago
  2. Self-Portrait, by Edgar Degas, 1857
    Self-PortraitEdgar Degas, 1857Courtesy of the Cleveland Museum of Art
  3. In the Omnibus, by Mary Cassatt, 1890–91
    In the OmnibusMary Cassatt, 1890–91Courtesy of the Cleveland Museum of Art

Section 3, south wall

  1. Bastille Day, by Maurice Prendergast, 1892
    Bastille DayMaurice Prendergast, 1892Courtesy of the Cleveland Museum of Art
  2. A work made of soft ground etching, hard ground etching, aquatint, and roulette, printed from two plates in red-brown and black, on ivory laid paper.
    Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et FlamandsChristian Josi, 1826Courtesy of the Art Institute of Chicago

Section 4, south wall

  1. A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
    A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art
  2. Landscape, by Edgar Degas, 1892
    LandscapeEdgar Degas, 1892Courtesy of The Metropolitan Museum of Art