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The galleries · Style galleries

Manuscripts

Every one of the collection's manuscripts, in today's hang.

47 works · hang 3919 ·

Share Manuscripts, in the galleries

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. "The Eavesdropper", Folio 47r from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami of Ganja, by Maulana Azhar, ca. 1430
    "The Eavesdropper", Folio 47r from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami of GanjaMaulana Azhar, ca. 1430Courtesy of The Metropolitan Museum of Art
  2. Preface (verso) from a double-page frontispiece of a Shahnama of Firdausi (940-1019 or 1025), c. 1444
    Preface (verso) from a double-page frontispiece of a Shahnama of Firdausi (940-1019 or 1025)Unrecorded Persian maker, c. 1444Courtesy of the Cleveland Museum of Art
  3. "Bahram Gur Pins the Coupling Onagers", Folio 568r from the Shahnama (Book of Kings) of Shah Tahmasp, by Abu'l Qasim Firdausi, ca. 1530–35
    "Bahram Gur Pins the Coupling Onagers", Folio 568r from the Shahnama (Book of Kings) of Shah TahmaspAbu'l Qasim Firdausi, ca. 1530–35Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. "Farhad Carves a Milk Channel for Shirin", Folio 74 from a Khamsa (Quintet) of Nizami of Ganja, by Nizami, dated 931 AH/1524–25 CE
    "Farhad Carves a Milk Channel for Shirin", Folio 74 from a Khamsa (Quintet) of Nizami of GanjaNizami, dated 931 AH/1524–25 CECourtesy of The Metropolitan Museum of Art
  2. Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi, by Muhammad ibn Badr al-Din Jajarmi, dated 741 AH/1340–41 CE
    Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of JajarmiMuhammad ibn Badr al-Din Jajarmi, dated 741 AH/1340–41 CECourtesy of The Metropolitan Museum of Art
  3. Christ in Majesty with the Virgin and Saint John the Evangelist: Single Leaf from a Book of Rules, by Master of the Washington Coronation, c. 1310–20
    Christ in Majesty with the Virgin and Saint John the Evangelist: Single Leaf from a Book of RulesMaster of the Washington Coronation, c. 1310–20Courtesy of the Cleveland Museum of Art

Section 2, south wall

  1. "Isfandiyar's Third Course: He Slays a Dragon", Folio 434v from the Shahnama (Book of Kings) of Shah Tahmasp, by Abu'l Qasim Firdausi, ca. 1530
    "Isfandiyar's Third Course: He Slays a Dragon", Folio 434v from the Shahnama (Book of Kings) of Shah TahmaspAbu'l Qasim Firdausi, ca. 1530Courtesy of The Metropolitan Museum of Art
  2. "The Besotted Iranian Camp Attacked by Night", Folio 241r from the Shahnama (Book of Kings) of Shah Tahmasp, by Abu'l Qasim Firdausi, ca. 1525–30
    "The Besotted Iranian Camp Attacked by Night", Folio 241r from the Shahnama (Book of Kings) of Shah TahmaspAbu'l Qasim Firdausi, ca. 1525–30Courtesy of The Metropolitan Museum of Art
  3. "Portrait of Maharaja Bhim Kanwar", Folio from the Shah Jahan Album, by Nanha, verso: ca. 1615–29; recto: ca. 1540
    "Portrait of Maharaja Bhim Kanwar", Folio from the Shah Jahan AlbumNanha, verso: ca. 1615–29; recto: ca. 1540Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. Folio from the "Tashkent Qur'an", late 8th–early 9th century
    Folio from the "Tashkent Qur'an"Unrecorded maker, late 8th–early 9th centuryCourtesy of The Metropolitan Museum of Art
  2. "Tahmuras Defeats the Divs", Folio 23v from the Shahnama (Book of Kings) of Shah Tahmasp, by Abu'l Qasim Firdausi, ca. 1525
    "Tahmuras Defeats the Divs", Folio 23v from the Shahnama (Book of Kings) of Shah TahmaspAbu'l Qasim Firdausi, ca. 1525Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. "The Angel Gabriel meets 'Amr ibn Zaid (the Shepherd)", Folio from a Siyer-i Nebi (the Life of the Prophet), by Mustafa ibn Vali, ca. 1595
    "The Angel Gabriel meets 'Amr ibn Zaid (the Shepherd)", Folio from a Siyer-i Nebi (the Life of the Prophet)Mustafa ibn Vali, ca. 1595Courtesy of The Metropolitan Museum of Art
  2. "A King Offers to Make Amends to a Bereaved Mother", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, by Amir Khusrau Dihlavi, 1597–98
    "A King Offers to Make Amends to a Bereaved Mother", Folio from a Khamsa (Quintet) of Amir Khusrau DihlaviAmir Khusrau Dihlavi, 1597–98Courtesy of The Metropolitan Museum of Art
  3. Opening Folio of the 26th Volume of the "Anonymous Baghdad Qur'an", by Ahmad ibn al-Suhrawardi al-Bakri, 706 AH/1306–7 CE
    Opening Folio of the 26th Volume of the "Anonymous Baghdad Qur'an"Ahmad ibn al-Suhrawardi al-Bakri, 706 AH/1306–7 CECourtesy of The Metropolitan Museum of Art

Section 3, south wall

  1. Folio from the "Blue Qur'an", second half 9th–mid-10th century
    Folio from the "Blue Qur'an"Unrecorded maker, second half 9th–mid-10th centuryCourtesy of The Metropolitan Museum of Art
  2. Royal Reception in a Landscape, left folio from the double frontispiece of a Shahnama (Book of Kings) of Firdausi (Persian, about 940–1019 or 1025), 1444
    Royal Reception in a Landscape, left folio from the double frontispiece of a Shahnama (Book of Kings) of Firdausi (Persian, about 940–1019 or 1025)Unrecorded Persian maker, 1444Courtesy of the Cleveland Museum of Art

Walk on

  • Manuscripts, room 2
  • More by unrecorded makers of Persia 4 works
  • 15th-century Persia 10 works
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