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Dutch and Flemish Baroque

The Low Countries in the 1600s: Rubens's Antwerp and the painters of the Dutch Republic.

94 works · hang 752 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. Merrymakers at Shrovetide, by Frans Hals, ca. 1616–17
    Merrymakers at ShrovetideFrans Hals, ca. 1616–17Courtesy of The Metropolitan Museum of Art
  2. A Genoese Lady with Her Child, by Anthony van Dyck, c. 1623–25
    A Genoese Lady with Her ChildAnthony van Dyck, c. 1623–25Courtesy of the Cleveland Museum of Art
  3. The image shows a pastoral scene in black and white with fine line work. A small bridge with a circular archway crosses a stream. A dirt path winds through the landscape flanked by grass and bushes. A rocky cliff ascends on the left with a tower-like structure partially obscured by vegetation. The horizon features a cloudy sky, with swirling lines indicating motion. In the distance, a tall, thin structure, possibly a spire or chimney, stands amid faint hills and trees. The scene conveys a serene atmosphere through hatching and cross-hatching techniques.
    Cascade under a Stone BridgeJan van de Velde II, c. 1616Courtesy National Gallery of Art, Washington

Section 1, south wall

  1. Painting of a scene in a dimly-lit, cavernous room with a bassinet and small table. A shaft of light falls on four figures: a light-skinned woman in a white head covering, a baby on her lap, a male figure at her side, and a small dog at their feet. The couple feeds the fussing baby from a bowl, smiling.
    A Mother Feeding her Child (The Happy Mother)Willem van Mieris, 1707Courtesy of the Art Institute of Chicago
  2. A work made of oil on canvas.
    The Music LessonJacob Ochtervelt, 1671Courtesy of the Art Institute of Chicago
  3. Paying the Hostess, by Pieter de Hooch, ca. 1670
    Paying the HostessPieter de Hooch, ca. 1670Courtesy of The Metropolitan Museum of Art
  4. A work made of red and black chalk, with touches of white chalk, on cream laid paper.
    Nude Old Man Seated, Leaning on His Forearm, Facing LeftJacob Jordaens, c. 1640Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. Clothing the Naked, by Michiel Sweerts, ca. 1661
    Clothing the NakedMichiel Sweerts, ca. 1661Courtesy of The Metropolitan Museum of Art
  2. Queen Henrietta Maria, by Anthony van Dyck, 1636
    Queen Henrietta MariaAnthony van Dyck, 1636Courtesy of The Metropolitan Museum of Art
  3. Shown from about the knees up, a pale-skinned young woman stands within a stone niche, with a parrot perched on her finger as she gazes out at us in this vertical painting. The woman’s hands are raised to chest height, and she balances the spruce-blue parrot on the index finger of her far hand while her other hand holds an indistinct, white object. Her body is angled to our left, and she looks at us from the corner of her green eyes under faint brows. Her round face has a small nose, flushed cheeks, and her coral-red mouth curls up in a slight smile, her lips parted. Her honey-blond hair is gathered at the back of her head with curly tendrils framing her face and falling to her shoulders. She wears a golden-brown gown trimmed with a narrow ruffle of white fabric along the low neckline that reveals her décolletage. The bird faces the woman and lifts something, presumably a bit of food, up with one dark claw. The underside of its tail is crimson red. A light-skinned boy stands in deep shadow just to the right of the woman. He looks up at her and holds a silver tray in both hands. They stand within a light brown, arched, stone opening beyond a ledge, which comes up to about the woman’s knees. A carpet patterned with stylized flowers in ruby red, burnt orange, teal blue, white, and black is bunched up and draped over the parapet, to our right. A tall, iron-gray cage sits to our left. The rug partly covers an inscription on the front face of the niche that reads, “M. DO,” with the O cut off. A copper-colored, fringe-lined drapery hangs from the upper right of the arch and is fastened to the inner edge of the opening to create a swag. The woman is brightly lit from the upper left, and the space behind her and the boy is ink black. The artist signed and dated the lower left corner as if he had carved into the front face of the arch. It reads, “CNetscher .Ao. 16.66,” with the C and N overlapping to make a monogram.
    A Woman Feeding a Parrot, with a PageCaspar Netscher, 1666Courtesy National Gallery of Art, Washington
  4. Study of a Young Woman, by Johannes Vermeer, ca. 1665–67
    Study of a Young WomanJohannes Vermeer, ca. 1665–67Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. Wheat Fields, by Jacob van Ruisdael, ca. 1670
    Wheat FieldsJacob van Ruisdael, ca. 1670Courtesy of The Metropolitan Museum of Art
  2. The image shows a landscape with rocky terrain, trees, and a stream. In the foreground, there is a bridge with a traveler and a dog crossing over the stream. The scene features detailed linework and cross-hatching to depict texture. The color palette is monochrome brown, resembling an etching or drawing style.
    Goat on a small BridgeAllart van Everdingen, probably c. 1645/1656Courtesy National Gallery of Art, Washington
  3. A work made of engraving on ivory laid paper.
    Landscape with Sheep, from The Small LandscapesSchelte Adamsz. Bolswert, c. 1638Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. Still Life with Meat, Fish, Vegetables, and Fruit, by Jacob van Hulsdonck, c. 1615–20
    Still Life with Meat, Fish, Vegetables, and FruitJacob van Hulsdonck, c. 1615–20Courtesy of the Cleveland Museum of Art
  2. Peacocks, by Melchior d' Hondecoeter, 1683
    PeacocksMelchior d' Hondecoeter, 1683Courtesy of The Metropolitan Museum of Art