Romanticism and Realism
Storms, ruins and feeling from about 1780, then ordinary people and working lives painted as they were, from the 1840s on.
Section 1, north wall

The Veteran in a New FieldWinslow Homer, 1865Courtesy of The Metropolitan Museum of Art 
Spring Blossoms, Montclair, New JerseyGeorge Inness, ca. 1891Courtesy of The Metropolitan Museum of Art 
A Farmhouse in the Bavarian AlpsJohann Georg von Dillis, c. 1825Courtesy of the Art Institute of Chicago
Section 1, south wall

Arrangement in Flesh Colour and Black: Portrait of Theodore DuretJames McNeill Whistler, 1883Courtesy of The Metropolitan Museum of Art 
Panoramic View of the Palace and Gardens of VersaillesJohn Vanderlyn, 1818–19Courtesy of The Metropolitan Museum of Art 
Spanish LadyLouis M. Eilshemius, 1889Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution 
Pink Note–Shelling PeasJames McNeill Whistler, 1882-1884Courtesy of the National Museum of Asian Art, Smithsonian Institution
Section 2, south wall

Rookwood PotteryGeorge Gibson, 1886Courtesy of Cooper Hewitt, Smithsonian Design Museum 
Basket of FruitUnrecorded American maker, c. 1830Courtesy National Gallery of Art, Washington 
The Yellow RoomJames McNeill Whistler, ca. 1883–84Courtesy of The Metropolitan Museum of Art 
The Alling ChildrenOliver Tarbell Eddy, ca. 1839Courtesy of The Metropolitan Museum of Art
Section 2, north wall

Wild Roses and IrisesJohn La Farge, 1887Courtesy of The Metropolitan Museum of Art 
Inside the BarWinslow Homer, 1883Courtesy of The Metropolitan Museum of Art 
At the SeasideWilliam Merritt Chase, ca. 1892Courtesy of The Metropolitan Museum of Art
Section 3, north wall

View of South Street, from Maiden Lane, New York CityWilliam James Bennett, ca. 1827Courtesy of The Metropolitan Museum of Art 
Untitled (Cracked Watermelon)Charles Ethan Porter, ca. 1890Courtesy of The Metropolitan Museum of Art