Renaissance
European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.
Section 1, north wall

Adoration of the ShepherdsUnrecorded Italian maker, c. 1500Courtesy of the Cleveland Museum of Art 
The Holy Family with Saint ElizabethJacopo de' Barbari, c. 1503Courtesy of the Cleveland Museum of Art 
Dead Christ Held by AngelsOrazio Samacchini, 1580/1620Courtesy of the Art Institute of Chicago 
Ornament in Hexagonal ShapeUnrecorded Italian maker, c. 1480/1510Courtesy National Gallery of Art, Washington
Section 1, south wall

The Power of Women: The Poet Virgil Suspended in a BasketLucas van Leyden, c. 1512Courtesy of the Cleveland Museum of Art 
JudithJan Sanders van Hemessen, c. 1540Courtesy of the Art Institute of Chicago 
Death of the VirginUnrecorded Italian maker, mid-1500sCourtesy of the Cleveland Museum of Art 
Group of Nine Standing FiguresParmigianino, 1524/27Courtesy of the Art Institute of Chicago
Section 2, south wall

The Dead Christ with AngelsLeandro Bassano, c. 1580Courtesy of the Cleveland Museum of Art 
Christ and the Woman of SamariaPerugino, 1500–05Courtesy of the Art Institute of Chicago 
Venus Reclining in a LandscapeGiulio Campagnola, c. 1508–9Courtesy of the Cleveland Museum of Art 
Portrait of an Old ManGiulio Campi, mid-1500sCourtesy of the Cleveland Museum of Art
Section 2, north wall

The Fall of Man with Scenes of the CreationAugustus Cordus, 1544Courtesy of the Art Institute of Chicago 
Equestrian Portrait of the Emperor MaximilianHans Burgkmair, 1508Courtesy of the Cleveland Museum of Art 
A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago 
Saint Catherine of Siena Receiving the StigmataFrancesco Vanni, c. 1595Courtesy of the Art Institute of Chicago