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Renaissance

European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.

78 works · hang 513 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. This is a drawing of two armored figures on horseback engaged in a joust. Both knights are clad in ornate armor and mounted on horses as they participate in the match. The scene captures the moment of impact, with splintered lances flying in the air. One knight in silver armor with blue accents is being unseated from his horse, while the other knight in red and silver armor remains mounted. Both horses are draped in colors matching their riders' armors. The focus is on the dynamic action and energy of the joust, with fine details showing the armor's shine and the movement of the horses. The drawing is bordered, and there is some script at the top and bottom.
    Italian Joust of PeaceUnrecorded German maker, c.1512-1515Courtesy National Gallery of Art, Washington
  2. A work made of brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper.
    Drapery Study of a Standing Figure Facing Right, in ProfileAndrea del Verrocchio, late 1460s–early 1470sCourtesy of the Art Institute of Chicago
  3. Farmhouse on the Slope of a Hill, by Fra Bartolommeo, c. 1508
    Farmhouse on the Slope of a HillFra Bartolommeo, c. 1508Courtesy of the Cleveland Museum of Art
  4. A work made of etching in black on cream laid paper.
    Dead Christ Held by AngelsOrazio Samacchini, 1580/1620Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. The Crucifixion, by Sodoma, 1500s
    The CrucifixionSodoma, 1500sCourtesy of the Cleveland Museum of Art
  2. A work made of etching in black on cream laid paper.
    Saint Catherine of Siena Receiving the StigmataFrancesco Vanni, c. 1595Courtesy of the Art Institute of Chicago
  3. Saint Sebastian, by Perugino, c. 1493
    Saint SebastianPerugino, c. 1493Courtesy of the Cleveland Museum of Art
  4. A work made of engraving in black on cream laid paper.
    The Academy of Baccio BandinelliEnea Vico, 1544/50, printed c. 1560sCourtesy of the Art Institute of Chicago

Section 2, south wall

  1. A work made of tempera on panel, transferred to canvas.
    Christ and the Woman of SamariaPerugino, 1500–05Courtesy of the Art Institute of Chicago
  2. Venus Reclining in a Landscape, by Giulio Campagnola, c. 1508–9
    Venus Reclining in a LandscapeGiulio Campagnola, c. 1508–9Courtesy of the Cleveland Museum of Art
  3. Portrait of a Man, Possibly Girolamo Rosati, by Lorenzo Lotto, 1533–34
    Portrait of a Man, Possibly Girolamo RosatiLorenzo Lotto, 1533–34Courtesy of the Cleveland Museum of Art
  4. The Holy Family with Saint Elizabeth, by Jacopo de' Barbari, c. 1503
    The Holy Family with Saint ElizabethJacopo de' Barbari, c. 1503Courtesy of the Cleveland Museum of Art

Section 2, north wall

  1. The Nativity, by Giorgio Ghisi, 1553
    The NativityGiorgio Ghisi, 1553Courtesy of the Cleveland Museum of Art
  2. Painting of Judith, naked, holding sword, with head of Holophernes.
    JudithJan Sanders van Hemessen, c. 1540Courtesy of the Art Institute of Chicago
  3. Virgin and Child, by Bernardino Luini, 1500s
    Virgin and ChildBernardino Luini, 1500sCourtesy of the Cleveland Museum of Art
  4. A work made of red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper.
    A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago