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Spain

Works made in Spain, from every century in the collection.

46 works · hang 6587 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

First room, north wall

  1. Juan de Pareja (ca. 1608–1670), by Diego Velázquez, 1650
    Juan de Pareja (ca. 1608–1670)Diego Velázquez, 1650Courtesy of The Metropolitan Museum of Art
  2. Manuel Osorio Manrique de Zuñiga (1784–1792), by Francisco Goya, 1787–88
    Manuel Osorio Manrique de Zuñiga (1784–1792)Francisco Goya, 1787–88Courtesy of The Metropolitan Museum of Art
  3. A light-skinned man wearing a voluminous, ocean-blue, hooded robe sits at a cloth-draped writing table and looks up, fingers splayed over an open book and a pen held in his other hand, in this vertical painting. The man and desk take up most of the composition, which has an arched top. The man’s shoulders and body are angled to our right, and he looks off in that direction in profile. His balding head is rimmed with white hair curving over the large ear we can see, and he has a trimmed white and gray beard and mustache. His prominent nose is pointed, and his lips are closed. Light glints off the robe he wears so it shimmers in shades of topaz, aquamarine, and midnight blue. Voluminous white sleeves emerge under the mantle and are edged with narrow lace cuffs. His left hand, to our right, rests on an open book, which is propped against one or two other tomes. Near the edge of the table, two quills stand in the corners of a lidded inkwell, and a round, silver blotter, shaped like an upside-down chalice, and a lidded silver box sit nearby. The man’s chair has a tall post next to his shoulder to our left with a teardrop-shaped, gold finial. A second post, near his wrist, is lower and topped with a gold orb. The chair is draped in the same deep, raspberry-pink of the square table at which he sits. The tablecloth is edged with a wide band of gold along the bottom, and filigree-like gold decorations line the seams or folds at the corners. Brushstrokes are visible in many areas, especially in the colorfully charged blue and pink fabric. Beyond the man, to our right, a statuette of a person wearing a long, white robe over a white dress holds a baby. The clothing is edged with gold, and she wears a sphere-like gold crown. The baby also wears white and holds up one hand. The statuette stands on a platform supported by S-shaped corbels, and could have a projecting, squared awning over the top. This area is more loosely painted so some details are difficult to make out. In the background to our left, a wooden door stands open next to a dark space just behind the man’s head, so his profile is picked out against the shadow. The floor beneath is earth brown.
    Saint IldefonsoEl Greco, c. 1603/1614Courtesy National Gallery of Art, Washington

First room, south wall

  1. The image depicts a woman seated with a child in her lap. The woman looks down at the child, who has curly hair. Both figures are intricately drawn in a detailed line drawing style. The woman wears a headdress and flowing garment, holding a cross-topped staff. The child clutches her arm. Surrounding them are cloud-like forms and cherubic figures with wings, some holding rosary beads. In the background, more clouds and angelic faces are sketched.
    The Madonna of the RosaryVicente Salvador Gómez, 1674Courtesy National Gallery of Art, Washington
  2. St. George on white horse, piercing green, gold dragon
    Saint George and the DragonBernat Martorell, 1434–35Courtesy of the Art Institute of Chicago
  3. Small painting, friar shoots man with yellow pants as horse runs off.
    Friar Pedro Shoots El Maragato as His Horse Runs OffFrancisco Goya, c. 1806Courtesy of the Art Institute of Chicago
  4. A work made of oil on panel.
    CrucifixionMaría Josefa Sánchez, 1646Courtesy of the Art Institute of Chicago

Second room, south wall

  1. Christ Carrying the Cross, by El Greco, ca. 1577–87
    Christ Carrying the CrossEl Greco, ca. 1577–87Courtesy of The Metropolitan Museum of Art
  2. God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), by Francisco Goya, ca. 1816–20
    God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)Francisco Goya, ca. 1816–20Courtesy of The Metropolitan Museum of Art
  3. Self-Portrait, by Francisco Goya, ca. 1796
    Self-PortraitFrancisco Goya, ca. 1796Courtesy of The Metropolitan Museum of Art
  4. STUDY OF A BOWING MAN (CHRISTOPHER COLUMBUS)
    Study of a Bowing Man (Christopher Columbus)Raimundo de MadrazoCourtesy of Cooper Hewitt, Smithsonian Design Museum

Second room, north wall

  1. This painting shows a man standing upright, his body slightly turned to the right. He has pale skin and curled white hair under a large black hat, and he wears a long brown jacket over a yellow vest with a white ruffled neck and a wide blue-and-white striped sash over his torso. His pants are black, and he wears tall black boots with brown tops. His hands are covered by yellow gloves, and he is holding a tall, thin rifle on the left, its bottom on the ground. Next to him on the right is a white dog with brown spots and large brown ears. The dog is sitting, looking up at the man. The background features an outdoor setting, with a landscape of hazy hills in shades of pale green and blue below a white and gray sky. There is a tall, dark green tree behind the man, and the ground he stands on is brown.
    Charles IV of Spain as HuntsmanUnrecorded Spanish maker, c. 1799/1800Courtesy National Gallery of Art, Washington
  2. Still Life with Fish, Bread, and Kettle, by Luis Meléndez, c. 1772
    Still Life with Fish, Bread, and KettleLuis Meléndez, c. 1772Courtesy of the Cleveland Museum of Art
  3. Beggars by a Door, by Mariano Fortuny, 1870
    Beggars by a DoorMariano Fortuny, 1870Courtesy of the Cleveland Museum of Art

Third room, north wall

  1. Cardinal Fernando Niño de Guevara (1541–1609), by El Greco, ca. 1600
    Cardinal Fernando Niño de Guevara (1541–1609)El Greco, ca. 1600Courtesy of The Metropolitan Museum of Art
  2. A work made of tempera on panel.
    Saints Apollonia, Barbara, and AgathaMaster Alejo (Alejo Andía?), 1490–1500Courtesy of the Art Institute of Chicago