Cardinal Fernando Niño de Guevara (1541–1609), previewed as a 16 by 20 inch giclée reproduction.

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El Greco

Spanish, 1541–1614

Cardinal Fernando Niño de Guevara (1541–1609)ca. 1600

Oil on canvas

67 1/4 x 42 1/2in. (170.8 x 108cm)

Courtesy of The Metropolitan Museum of Art · 29.100.5

The cardinal sits in a high-backed chair, his crimson robes and lace rochet falling in shimmering folds, and looks out through round, horn-rimmed spectacles with a sharp, wary gaze. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 13¼ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

The cardinal sits in a high-backed chair, his crimson robes and lace rochet falling in shimmering folds, and looks out through round, horn-rimmed spectacles with a sharp, wary gaze. Fernando Niño de Guevara served as Grand Inquisitor of Spain and later as archbishop of Seville, and El Greco paints him with an unsettling mix of splendour and tension: one hand grips the arm of the chair while the other hangs loosely. A slip of paper on the floor carries the artist’s signature in Greek. The flickering, almost electric brushwork in the silk is typical of El Greco’s mature style.

Written by Ochre Editions.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

El Greco

Spanish, 1541–1614 · Born in Iráklion (Candia); died in Toledo.

El Greco, “the Greek”, was born in Crete and trained in the Byzantine icon tradition before studying Venetian painting and working in Rome. From 1577 he lived in Toledo, where his first major commission was the high altarpiece of Santo Domingo el Antiguo, to which The Assumption of the Virgin belongs. His mature style, with elongated figures, flickering light and acid colour, found few imitators in his time but was rediscovered with enthusiasm by modern painters.

Written by Ochre Editions.

See all 7 works by El Greco

Rights and the museum’s record

Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
29.100.5
Credit
Courtesy of The Metropolitan Museum of Art
Type
Paintings
Department
European Paintings
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