Ochre Editions
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The 20th century

Works made in the 20th century, anywhere in the world.

189 works · hang 6799 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. The image shows an abstract composition with circular and linear shapes. In the center is a large, intricately patterned circle with concentric rings, zigzag, and radiating lines. Around it are six identical abstract forms resembling birds or wings, radiating outward. The shapes create a symmetrical pattern reminiscent of a rotating wheel or a sunburst.
    Cut Tin CandleholderHal Blakeley, 1940Courtesy National Gallery of Art, Washington
  2. The image shows a painted artwork within an ornate frame. The artwork features a figure standing with one hand raised. The figure has long hair and a beard, and wears flowing blue and white garments. The background shows an earthy surface and a sky. The frame is gold and elaborately designed. The scene is set against a blank, light-colored background.
    Original Tabernacle, for Communion VesselsDayton Brown, 1936Courtesy National Gallery of Art, Washington
  3. Mary, by Henry Ossawa Tanner, ca. 1914
    MaryHenry Ossawa Tanner, ca. 1914Courtesy of the Smithsonian American Art Museum
  4. Pont des Arts, by H. Lyman Saÿen, 1908-1911
    Pont des ArtsH. Lyman Saÿen, 1908-1911Courtesy of the Smithsonian American Art Museum

Section 1, south wall

  1. The image shows an ornate metalwork design with a winged creature. The design features intricate wrought iron decoration with a mythical figure, resembling a Pegasus, enclosed within a circular frame. The central circle is surrounded by symmetrical, stylized scrollwork motifs and horizontal bars, suggesting an architectural or ornamental fixture intended for use in structures like gates or window grills. The detailed craftsmanship and balanced design highlight the creature's form and the harmonious symmetry of the patterns.
    Fence - Sea Horse DesignPearl Torell, c. 1939Courtesy National Gallery of Art, Washington
  2. The Sprout Lot, by J. Francis Murphy, 1915
    The Sprout LotJ. Francis Murphy, 1915Courtesy of the Smithsonian American Art Museum
  3. The image shows a large, intricately designed vase with a bulbous base and flared top at the center. The vase is decorated with painted scenes of a town or village. The color scheme includes shades of blue, green, brown, and touches of yellow and red. Surrounding the vase are two smaller detailed sections showing close-ups of the painted scenes on it. The main vase image is enclosed within a boxed outline on the page.
    Fire Lighter VaseFrancis Law Durand, 1935/1942Courtesy National Gallery of Art, Washington
  4. Study for mosaic in the Wisconsin State Capital "Government and Liberty", by Kenyon Cox, ca. 1912
    Study for mosaic in the Wisconsin State Capital "Government and Liberty"Kenyon Cox, ca. 1912Courtesy of the Smithsonian American Art Museum

Section 2, south wall

  1. Three Girls and River, by Louis M. Eilshemius, 1907
    Three Girls and RiverLouis M. Eilshemius, 1907Courtesy of the Smithsonian American Art Museum
  2. This is a painting of a camel with a colorful saddle. The camel is centered in the image, standing against a plain, light-colored background. The animal is drawn with careful attention to detail, showcasing its distinctive humps, elongated neck, and slender legs. It is adorned with a vibrant saddle that features bright orange and red tones. The simplicity of the background emphasizes the camel.
    Bank CamelWilliam O. Fletcher, c. 1940Courtesy National Gallery of Art, Washington
  3. This is a painting of a vintage fire hose cart. It is intricately designed, featuring a four-wheeled cart meant to hold a coiled fire hose. The painting showcases the cart's wooden spoked wheels and hose mechanism, as well as ornate wrought iron designs and a brass figure. A bell is depicted above one wheel. The painting captures the craftsmanship of the era and is reminiscent of the style of Charles Demuth, known for his attention to detail and focus on industrial and architectural elements.
    Fire Hose ReelHans Mangelsdorf, c. 1938Courtesy National Gallery of Art, Washington
  4. In the Desert, by H. Siddons Mowbray, 1915-1925
    In the DesertH. Siddons Mowbray, 1915-1925Courtesy of the Smithsonian American Art Museum

Section 2, north wall

  1. This is a painting of two deer under a tree. The larger deer has antlers and is resting next to a smaller deer. They are depicted with red and brown strokes. The background shows a patch of earth and grass in green and blue. Beside the deer is a tree with colorful leaves or a feather-like structure and a red trunk. A pink flower is near the tree's base. The background is neutral. This painting is in the style of Henri Rousseau.
    Crewel EmbroideryHelen Dana, 1935/1942Courtesy National Gallery of Art, Washington
  2. The image displays a detailed pencil sketch of a curved architectural structure in the center of a light beige canvas. The sketch is in grayscale, with a simple color palette. The object occupies a small portion of the canvas, surrounded by negative space.
    Knee BuckleEdna Crenshaw Rex, c. 1937Courtesy National Gallery of Art, Washington
  3. Child Reading, by H. Lyman Saÿen, 1915-1918
    Child ReadingH. Lyman Saÿen, 1915-1918Courtesy of the Smithsonian American Art Museum
  4. The image shows a small intricately decorated wooden structure with an arched top and a central door flanked by two metal hinges. The structure is painted with a floral and vine motif in colors such as red, green, and yellow on a light background. The wooden door has a textured appearance. The object is positioned centrally with the door facing forward, placed on a slightly elevated base with two footings extending forward. The overall look is ornate and symmetrical, showcasing detailed design work.
    Tabernacle (Ecclesiastical Furniture)Cornelius Christoffels, c. 1938Courtesy National Gallery of Art, Washington