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The 19th century

Works made in the 19th century, anywhere in the world.

731 works · hang 9875 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. Kanō, from the series Sixty-nine Stations of the Kisokaidō, by Utagawa Hiroshige, c. 1835–37
    Kanō, from the series Sixty-nine Stations of the KisokaidōUtagawa Hiroshige, c. 1835–37Courtesy of the Cleveland Museum of Art
  2. The image shows a person lying down, positioned on their side, resting on a pillow. The individual appears to be asleep, with closed eyes, slightly parted lips, and a relaxed facial expression. The person has light-colored hair, partially covered by a white nightcap, and is dressed in white nightwear with a ruffled collar. They are covered by a white blanket and their hand is partially visible near the face, with fingers interlaced. The background features a wooden headboard or furniture piece.
    An Infant Asleep in His CribAdolph Menzel, 1848Courtesy National Gallery of Art, Washington
  3. A work made of pastel on brown paper, laid down on board.
    The Call of the StagRosa Bonheur, 1890sCourtesy of the Art Institute of Chicago
  4. Landscape, by Edgar Degas, 1892
    LandscapeEdgar Degas, 1892Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. The Cliff at Étretat, by Gustave Courbet, after 1872
    The Cliff at ÉtretatGustave Courbet, after 1872Courtesy of the Cleveland Museum of Art
  2. A work made of lithograph from two stones on off-white wove paper.
    Interior of the Lemercier Lithographic Printing HouseCharles Villemin, n.d.Courtesy of the Art Institute of Chicago
  3. Watercolor
    Pink Note–Shelling PeasJames McNeill Whistler, 1882-1884Courtesy of the National Museum of Asian Art, Smithsonian Institution
  4. Boats at Berck-sur-Mer, by Édouard Manet, 1873
    Boats at Berck-sur-MerÉdouard Manet, 1873Courtesy of the Cleveland Museum of Art

Section 2, south wall

  1. Impressionist painting of woman wearing green dress trying on hats.
    The Millinery ShopEdgar Degas, 1879-86Courtesy of the Art Institute of Chicago
  2. Large English country landscape painting, farmers with horses, green trees.
    Stoke-by-NaylandJohn Constable, 1836Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. The Old Road to the Sea, by William Merritt Chase, c. 1893
    The Old Road to the SeaWilliam Merritt Chase, c. 1893Courtesy of the Cleveland Museum of Art
  2. The image features a large building with a domed tower on the right side. The horizon shows hills, trees, and the sky. The brushstrokes give detailed texture to the scene, with a focus on the landscape and architecture. The color palette is sepia-toned. A tree, fence, smaller buildings, and a figure on a path add depth and perspective to the scene.
    Mission Santa Barbara, Looking SouthHenry Chapman Ford, 1888Courtesy National Gallery of Art, Washington
  3. Sugatano of Sugata Ebisuya in the Morning, Hour of the Rabbit, from the series The Twelve Hours in the Pleasure Quarters, by Kikukawa Eizan, 1812
    Sugatano of Sugata Ebisuya in the Morning, Hour of the Rabbit, from the series The Twelve Hours in the Pleasure QuartersKikukawa Eizan, 1812Courtesy of the Cleveland Museum of Art
  4. Standing Saint and Saint in Red Cloak (pair), late 19th - early 20th century
    Standing Saint and Saint in Red Cloak (pair)Unrecorded Italian maker, late 19th - early 20th centuryCourtesy of the Cleveland Museum of Art

Section 3, north wall

  1. A work made of engraving and etching in black on ivory wove paper.
    Ettore, Side View, from Oeuvre de CanovaAntonio Canova, 1817Courtesy of the Art Institute of Chicago
  2. The painting depicts a forest floor under tall trees, with a grassy path leading into the distance. The sky is obscured by dense green foliage and tree limbs. Rocks and shrubs are visible on the ground, and the forest stretches into the distance. The trees are dark brown, with patches of white suggesting dappled light coming in through the branches above. The leaves and ground are mostly dark green, with some patches of brown, lighter green, and yellow.
    Forest SceneNarcisse Diaz de la Peña, 1874Courtesy National Gallery of Art, Washington