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The galleries · Time and place

The 16th century

Works made in the 16th century, anywhere in the world.

210 works · hang 645 ·

Share The 16th century, in the galleries

The rooms are imagined; every work on their walls is real.

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First room, north wall

  1. A work made of pen and brown ink and brush and black and green washes, over black chalk, on cream laid paper.
    Interior View of the ColiseumLodewijk Toeput, c. 1580Courtesy of the Art Institute of Chicago
  2. A work made of engraving in black on ivory laid paper.
    Angelica and MedoroGiorgio Ghisi, c. 1570Courtesy of the Art Institute of Chicago
  3. View of Toledo, by El Greco, ca. 1599–1600
    View of ToledoEl Greco, ca. 1599–1600Courtesy of The Metropolitan Museum of Art
  4. "The Angel Gabriel meets 'Amr ibn Zaid (the Shepherd)", Folio from a Siyer-i Nebi (the Life of the Prophet), by Mustafa ibn Vali, ca. 1595
    "The Angel Gabriel meets 'Amr ibn Zaid (the Shepherd)", Folio from a Siyer-i Nebi (the Life of the Prophet)Mustafa ibn Vali, ca. 1595Courtesy of The Metropolitan Museum of Art

First room, south wall

  1. Three insects are depicted in the image: a butterfly with dark blue and red wings on the bottom left, a larger butterfly with white, black, and blue patterns at the top center, and a dragonfly with brown and gold tones on the bottom right. The color palette includes rich blues, reds, browns, and golds against a neutral background. The central butterfly is positioned higher than the other two insects, with the left butterfly and right dragonfly symmetrically arranged below.
    Plate 13: Yellow Swallowtail and Red Admiral Butterflies with a Dragonfly (Broad-Bodied Chaser?)Joris Hoefnagel, c.1575/1590sCourtesy National Gallery of Art, Washington
  2. A work made of engraving on laid paper.
    The Holy FamilyPieter de Jode, I, c. 1585-1595Courtesy of the Art Institute of Chicago
  3. The Submersion of Pharaoh's Army in the Red Sea, by Titian, 1514–15, printed 1549
    The Submersion of Pharaoh's Army in the Red SeaTitian, 1514–15, printed 1549Courtesy of the Cleveland Museum of Art
  4. A work made of hanging scroll; ink and color on silk.
    Portrait of an OfficialGu Jianlong, Qing dynasty (1644-1911), 17th centuryCourtesy of the Art Institute of Chicago

Second room, south wall

  1. A work made of engraving in black on cream laid paper.
    Christ Raises the Dead Son of the Widow of NainJacob Matham, 1593/94Courtesy of the Art Institute of Chicago
  2. A work made of black chalk (recto), and black chalk and pen and black ink (verso), on ivory laid paper.
    Virgin and Child with Saints Peter and John the Baptist (recto); Saint John the Baptist (verso)Pietro d' Asaro, n.d.Courtesy of the Art Institute of Chicago
  3. The Holy Family with the Young Saint John the Baptist, by Andrea del Sarto, ca. 1528
    The Holy Family with the Young Saint John the BaptistAndrea del Sarto, ca. 1528Courtesy of The Metropolitan Museum of Art
  4. This is a drawing of an ornamental design featuring mythological creatures and motifs. The artwork depicts a symmetrical arrangement with two central figures holding musical instruments, surrounded by acanthus leaves, griffins, and sphinxes. In the upper portion, there is a winged figure with a crown-like headdress carrying symbols or trophies. The design is detailed with decorative elements including floral patterns and architectural motifs. Throughout the drawing, there are various mythological creatures integrated into the composition.
    Ornamental Panel Inscribed "Victoria Augusta"Giovanni Antonio da Brescia, c. 1516Courtesy National Gallery of Art, Washington

Second room, north wall

  1. "A Muslim Pilgrim Learns a Lesson in Piety from a Brahman", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, by Amir Khusrau Dihlavi, 1597–98
    "A Muslim Pilgrim Learns a Lesson in Piety from a Brahman", Folio from a Khamsa (Quintet) of Amir Khusrau DihlaviAmir Khusrau Dihlavi, 1597–98Courtesy of The Metropolitan Museum of Art
  2. Daoist Master Fei Zhangfang, by Sesson Shūkei, ca. 1555–61
    Daoist Master Fei ZhangfangSesson Shūkei, ca. 1555–61Courtesy of The Metropolitan Museum of Art
  3. Hanging scroll
    Peonies and lilies 芍薬と百合図Tawaraya Sotatsu, 1568-1615Courtesy of the National Museum of Asian Art, Smithsonian Institution
  4. Diana and Actaeon, by Bartholomeus Spranger, ca. 1580–85
    Diana and ActaeonBartholomeus Spranger, ca. 1580–85Courtesy of The Metropolitan Museum of Art

Walk on

  • The 16th century, room 2
  • Bartholomeus Spranger's contemporaries 8 works
  • More Northern Renaissance 62 works
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