Christ Raises the Dead Son of the Widow of Nain, previewed as a 16 by 20 inch giclée reproduction.

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Jacob Matham

Dutch, 1571–1631

Christ Raises the Dead Son of the Widow of Nain1593/94

Engraving in black on cream laid paper

Plate: 50.1 × 28.2 cm (19 3/4 × 11 1/8 in.); sheet: 51 × 29 cm (20 1/8 × 11 7/16 in.)

Courtesy of the Art Institute of Chicago · 2024.162

Jacob Matham made this in 1593/94, aged about 22. It is now at the Art Institute of Chicago. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 10 × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

A work made of engraving in black on cream laid paper.

Description from the Art Institute of Chicago.

Jacob Matham made this in 1593/94, aged about 22. It is now at the Art Institute of Chicago.

How it was made

Engraving
Lines cut directly into a metal plate with a steel burin, which makes them swell and taper. It took years to master, and for centuries it was how paintings travelled as pictures.
Laid paper
Handmade on a mould of close-set wires, which leave fine parallel lines you can see when the sheet is held to the light.

Jacob Matham

Dutch, 1571–1631

Dutch Golden Age

Seventeenth-century painting from the Dutch Republic: still lifes, interiors, portraits and flat, wide skies.

More from Dutch Golden Age

Rights and the museum’s record

Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
2024.162
Credit
Courtesy of the Art Institute of Chicago
Type
Print
Department
Prints and Drawings
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