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The galleries · Time and place

The 15th century

Works made in the 15th century, anywhere in the world.

110 works · hang 5597 ·

Share The 15th century, in the galleries

The rooms are imagined; every work on their walls is real.

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First room, north wall

  1. "Laila and Majnun at School", Folio from a Khamsa (Quintet) of Nizami of Ganja, by Ja'far Baisunghuri, 835 AH/1431–32 CE
    "Laila and Majnun at School", Folio from a Khamsa (Quintet) of Nizami of GanjaJa'far Baisunghuri, 835 AH/1431–32 CECourtesy of The Metropolitan Museum of Art
  2. Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), by Leonardo da Vinci, 1480–85
    Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)Leonardo da Vinci, 1480–85Courtesy of The Metropolitan Museum of Art
  3. Battle of the Nudes, by Antonio Pollaiuolo, 1470s–80s
    Battle of the NudesAntonio Pollaiuolo, 1470s–80sCourtesy of the Cleveland Museum of Art
  4. The Annunciation, by Hans Memling, 1480–89
    The AnnunciationHans Memling, 1480–89Courtesy of The Metropolitan Museum of Art

First room, south wall

  1. Mountain Market, Clear with Rising Mist, early 1500s
    Mountain Market, Clear with Rising MistUnrecorded Korean maker, early 1500sCourtesy of the Cleveland Museum of Art
  2. Portrait of a Young Man, by Antonello da Messina (Antonello di Giovanni d'Antonio), ca. 1470
    Portrait of a Young ManAntonello da Messina (Antonello di Giovanni d'Antonio), ca. 1470Courtesy of The Metropolitan Museum of Art
  3. A woman holds the hands of two nude children in front of a crimson-red cloth in this vertical painting. All three have pale skin and brown hair. The woman wears a forest-green dress with voluminous sleeves and a gauzy white headdress that wraps around her hair and is fastened with a band across her forehead. She stands crouching with one foot extended slightly forward in a sandal, surrounded by broken chunks of masonry and bits of burning logs. Her body faces us but she turns her head to the right. Her mouth is wide open, and her eyes cut back to our left. The woman clutches the children’s hands in both of her own. The child to our left turns away from us and reaches one hand up to touch the back of the woman’s hand. The child on the right twists away from the woman, eyes squinted up and to the right and mouth open. Behind them, fold lines create a grid across the red cloth. Slivers of grass and blue sky line each side of the composition.
    The Wife of Hasdrubal and Her ChildrenErcole de' Roberti, c. 1490/1493Courtesy National Gallery of Art, Washington

Second room, south wall

  1. A work made of handscroll; ink and color on paper.
    Pillars of the CountryYao Shou, Ming dynasty (1368–1644), 1494Courtesy of the Art Institute of Chicago
  2. A work made of tempera on panel.
    Retable of Saints Athanasius, Blaise, and AgathaMaster of Riglos, c. 1440–c. 1445Courtesy of the Art Institute of Chicago
  3. Madonna and Child with Saint Jerome and Saint Bernardino of Siena, by Benvenuto di Giovanni, c. 1480/1485
    Madonna and Child with Saint Jerome and Saint Bernardino of SienaBenvenuto di Giovanni, c. 1480/1485Courtesy National Gallery of Art, Washington

Second room, north wall

  1. The Last Supper (pair), by Lucantonio degli Uberti, c. 1500
    The Last Supper (pair)Lucantonio degli Uberti, c. 1500Courtesy of the Cleveland Museum of Art
  2. Icon of the Mother of God and Infant Christ (Virgin Eleousa), by Angelos Akotantos, c. 1425–50
    Icon of the Mother of God and Infant Christ (Virgin Eleousa)Angelos Akotantos, c. 1425–50Courtesy of the Cleveland Museum of Art
  3. "The Besotted Iranian Camp Attacked by Night", Folio 241r from the Shahnama (Book of Kings) of Shah Tahmasp, by Abu'l Qasim Firdausi, ca. 1525–30
    "The Besotted Iranian Camp Attacked by Night", Folio 241r from the Shahnama (Book of Kings) of Shah TahmaspAbu'l Qasim Firdausi, ca. 1525–30Courtesy of The Metropolitan Museum of Art
  4. Salome with the Head of Saint John the Baptist, by Bernardino Luini, 1500s or later
    Salome with the Head of Saint John the BaptistBernardino Luini, 1500s or laterCourtesy of the Cleveland Museum of Art

Third room, north wall

  1. Horse Stable, early 1500s
    Horse StableUnrecorded Japanese maker, early 1500sCourtesy of the Cleveland Museum of Art
  2. Adoration of the Shepherds, c. 1500
    Adoration of the ShepherdsUnrecorded Italian maker, c. 1500Courtesy of the Cleveland Museum of Art

Walk on

  • The 15th century, room 2
  • More by unrecorded makers of Italy 14 works
  • More Renaissance 78 works
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