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The galleries · Time and place

The 14th century

Works made in the 14th century, anywhere in the world.

39 works · hang 6823 ·

Share The 14th century, in the galleries

The rooms are imagined; every work on their walls is real.

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First room, north wall

  1. The Agony in the Garden, by Ludwig of Ulm
    The Agony in the GardenLudwig of UlmCourtesy National Gallery of Art, Washington
  2. "Bahram Gur Hunting with Azada", Folio from a Shahnama (Book of Kings), by Abu'l Qasim Firdausi, dated 753 AH/1352 CE
    "Bahram Gur Hunting with Azada", Folio from a Shahnama (Book of Kings)Abu'l Qasim Firdausi, dated 753 AH/1352 CECourtesy of The Metropolitan Museum of Art
  3. The Crucifixion, by Pietro Lorenzetti, 1340s
    The CrucifixionPietro Lorenzetti, 1340sCourtesy of The Metropolitan Museum of Art
  4. Simple Retreat, by Wang Meng, ca. 1370
    Simple RetreatWang Meng, ca. 1370Courtesy of The Metropolitan Museum of Art

First room, south wall

  1. Shown from the waist up, a woman wearing a garnet-red robe rests a book and a palm frond against a spiked wheel, all against a gold background in this arched, vertical painting. The woman’s light skin is tinged with pale green, and her cheeks are faint pink. Her shoulders face us, and she slightly looks up and off to our right with gray eyes under curved brows. She has a long, straight nose, and her small, full, bow-shaped lips are closed. Her wavy blond hair is parted down the middle and pulled back at the base of her head. Her red robe has a pattern of delicate diamond shapes and the underside is white, visible where it turns over around the neck. The robe is fastened with a round, gold disk the size of a DVD. Letters there read, “S.K.A.T.E.R.I.N.A.” around the perimeter of a four-lobed, red, blue, and gold geometric design at the center of the brooch. The sky-blue garment beneath her robe has a marine-blue collar. She clasps the palm frond in her left hand, to our right. The hand rests on the book, which is propped against the wheel in front of her, so the frond reaches beyond and above that shoulder, nearly to the edge of the painting. The wheel is edged with short, curving spikes like talons. The woman’s gold crown and round halo blend into the shimmering gold background, which is visibly cracked in some areas. The top of the panel curves up as if into an arch but is cut across the panel over her halo.
    Saint Catherine of AlexandriaBartolomeo Bulgarini, c. 1335/1340Courtesy National Gallery of Art, Washington
  2. Christ in Majesty with the Virgin and Saint John the Evangelist: Single Leaf from a Book of Rules, by Master of the Washington Coronation, c. 1310–20
    Christ in Majesty with the Virgin and Saint John the Evangelist: Single Leaf from a Book of RulesMaster of the Washington Coronation, c. 1310–20Courtesy of the Cleveland Museum of Art
  3. Woods and Valleys of Mount Yu, by Ni Zan, dated 1372
    Woods and Valleys of Mount YuNi Zan, dated 1372Courtesy of The Metropolitan Museum of Art
  4. "Muhammad's Call to Prophecy and the First Revelation", Folio from a Majma' al-Tavarikh (Compendium of Histories), by Hafiz-i Abru, ca. 1425
    "Muhammad's Call to Prophecy and the First Revelation", Folio from a Majma' al-Tavarikh (Compendium of Histories)Hafiz-i Abru, ca. 1425Courtesy of The Metropolitan Museum of Art

Second room, south wall

  1. Saint Julian, by Taddeo Gaddi, 1340s
    Saint JulianTaddeo Gaddi, 1340sCourtesy of The Metropolitan Museum of Art
  2. Spring Dawn over the Elixir Terrace, by Lu Guang, ca. 1369
    Spring Dawn over the Elixir TerraceLu Guang, ca. 1369Courtesy of The Metropolitan Museum of Art
  3. Saint Catherine of Alexandria, by Pietro Lorenzetti, ca. 1342
    Saint Catherine of AlexandriaPietro Lorenzetti, ca. 1342Courtesy of The Metropolitan Museum of Art
  4. Folio from a Qur'an Manuscript, by Ahmad ibn al-Suhrawardi al-Bakri, dated 707 AH/1307–8 CE
    Folio from a Qur'an ManuscriptAhmad ibn al-Suhrawardi al-Bakri, dated 707 AH/1307–8 CECourtesy of The Metropolitan Museum of Art

Second room, north wall

  1. Orchids and Rock, by Gyokuen Bonpō, late 14th–early 15th century
    Orchids and RockGyokuen Bonpō, late 14th–early 15th centuryCourtesy of The Metropolitan Museum of Art
  2. Su Shi (Dongpo) in a Bamboo Hat and Clogs, by Zuigan Ryūsei, before 1460
    Su Shi (Dongpo) in a Bamboo Hat and ClogsZuigan Ryūsei, before 1460Courtesy of The Metropolitan Museum of Art
  3. The Last Supper, by Ugolino da Siena (Ugolino di Nerio), ca. 1325
    The Last SupperUgolino da Siena (Ugolino di Nerio), ca. 1325Courtesy of The Metropolitan Museum of Art
  4. The Fourth King of Hell, late 1300s
    The Fourth King of HellUnrecorded Korean maker, late 1300sCourtesy of the Cleveland Museum of Art

Walk on

  • The 14th century, room 2
  • More by unrecorded makers of Korea 11 works
  • More Korean painting 19 works
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