Saint Catherine of Alexandria, previewed as a 11 by 14 inch giclée reproduction.

Look closer

See it on a wall

Pietro Lorenzetti

Italian

Saint Catherine of Alexandriaca. 1342

Tempera on wood, gold ground

Overall 26 x 16 1/4 in. (66 x 41.3 cm); painted surface 24 1/2 x 16 1/4 in. (62.2 x 41.3 cm)

Courtesy of The Metropolitan Museum of Art · 13.212

Pietro Lorenzetti painted this in about 1342. It is now at The Met in New York. More about this work

See it in the galleries

Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 158 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
11 × 14 in · image 7¾ × 12¼
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$38

Made to order and shipped within the United States in about a week. Tax and shipping are added at checkout.

Download the full-resolution file, free · public domain, no account needed

About this work

Pietro Lorenzetti painted this in about 1342. It is now at The Met in New York.

How it was made

Gold ground
Gold leaf laid over a red clay and burnished to a mirror shine, often tooled with punches so it flickers in candlelight. Behind sacred figures it stands for heavenly light.
Tempera
Pigment bound with egg yolk. It dries in minutes and can’t be blended wet, so painters built up form with fine, hatched strokes. It was Europe’s main panel technique before oil.

Pietro Lorenzetti

Italian

See all 2 works by Pietro Lorenzetti

Rights and the museum’s record

Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
13.212
Credit
Courtesy of The Metropolitan Museum of Art
Type
Paintings
Department
European Paintings
Report this work

Tell us if this image shouldn't be here, or if its record is wrong. A person reads every report.

What's the concern?

More by Pietro Lorenzetti

All their works

Close in colour