Baroque and Rococo
Drama, movement and deep shadow in the 1600s, then the light, playful decoration of eighteenth-century Europe.
First room, north wall

Jacopo ButeraFrancesco Solimena, c. 1695Courtesy of the Art Institute of Chicago 
Antiochus Yearning for StratoniceStefano Pozzi, c. 1740Courtesy of the Art Institute of Chicago
First room, south wall

The Ecstasy of Saint FrancisGiovanni Baglione, 1601Courtesy of the Art Institute of Chicago 
The Sacrifice of Isaac, Tobias and the Angel, The Angels Appearing to Abraham, Abraham Welcoming the Three Angels (painting series)Francesco Guardi, 1750sCourtesy of the Cleveland Museum of Art
Second room, south wall

Adoration of the MagiGuido Reni, 1642Courtesy of the Cleveland Museum of Art 
A Young Woman Buying a Pink from a Young ManGiovanni Battista Piazzetta, c. 1740Courtesy of the Cleveland Museum of Art 
The Angel Departing from the Family of Tobit (?)Giovanni Benedetto Castiglione, c. 1655Courtesy of the Art Institute of Chicago
Second room, north wall

Three Angels Appearing to AbrahamGiovanni Battista Tiepolo, c. 1726Courtesy of the Art Institute of Chicago 
Tobias and the AngelFrancesco Guardi, 1750sCourtesy of the Cleveland Museum of Art 
Saint Jerome and a Pope with Two Putti (Saint Jerome and Pope Damasus)Jacopo Palma il Giovane, c. 1611Courtesy of the Art Institute of Chicago
Third room, north wall

The ResurrectionCecco del Caravaggio, c. 1619-20Courtesy of the Art Institute of Chicago 
Sketch for a CeilingGiovanni Battista Tiepolo, 1750sCourtesy of the Cleveland Museum of Art 
Cupid ChastisedBartolomeo Manfredi, 1613Courtesy of the Art Institute of Chicago
Third room, south wall

Rinaldo and Armida in Her GardenGiovanni Battista Tiepolo, c. 1742–45Courtesy of the Art Institute of Chicago 
Portrait of a GirlFrancesco Solimena, c. 1700Courtesy of the Art Institute of Chicago 
The Old ShepherdConte Antonio Maria Zanetti, the Elder, 1722Courtesy of the Art Institute of Chicago