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Baroque and Rococo

Drama, movement and deep shadow in the 1600s, then the light, playful decoration of eighteenth-century Europe.

53 works · hang 3467 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

First room, north wall

  1. A work made of etching and engraving on heavy ivory laid paper.
    The Lion Bas-Reliefs, plate 5 from Imaginary PrisonsGiovanni Battista Piranesi, 1761Courtesy of the Art Institute of Chicago
  2. Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, by Giovanni Battista Nolli, 1748
    Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di RomaGiovanni Battista Nolli, 1748Courtesy of the Cleveland Museum of Art
  3. Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, by Giovanni Battista Nolli, 1748
    Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di RomaGiovanni Battista Nolli, 1748Courtesy of the Cleveland Museum of Art
  4. Drawing of god, radiating light, reaching down from clouds, touching male figure.
    The Creation of AdamGiovanni Benedetto Castiglione, c. 1645/50Courtesy of the Art Institute of Chicago

First room, south wall

  1. A work made of oil on canvas.
    Landscape with Rock and FortressDomenico Gargiuli (Micco Spadaro), c. 1645Courtesy of the Art Institute of Chicago
  2. A work made of etching on heavy ivory laid paper.
    View of the Remains of the Praetorian Fort [the Poecile], Hadrian's Villa, Tivoli, from Views of RomeGiovanni Battista Piranesi, 1770Courtesy of the Art Institute of Chicago
  3. A work made of etching on ivory laid paper.
    Equestrian Ballet in the Amphitheater of the Boboli GardensStefano della Bella, 1661Courtesy of the Art Institute of Chicago

Second room, south wall

  1. ONE OF A SET OF PROJECTS FOR A TITLE PAGE AND THE DECORATION OF A HORIZONTAL PANEL
    One of a set of projects for a title page and the decoration of a horizontal panelFrancesco Bedeschini, Italian, 1675-1699Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. Sketch for a Ceiling, by Giovanni Battista Tiepolo, 1750s
    Sketch for a CeilingGiovanni Battista Tiepolo, 1750sCourtesy of the Cleveland Museum of Art
  3. A work made of etching in black on tan laid paper.
    The Holy FamilyGiulio Cesare Procaccini, 1613/15Courtesy of the Art Institute of Chicago
  4. A work made of etching and aquatint, from three plates, in brown and black, with metallic gold, on ivory laid paper.
    The Triumph of Truth over EnvyMaria Katharina Prestel, 1781Courtesy of the Art Institute of Chicago

Second room, north wall

  1. The Sacrifice of Isaac, by Francesco Guardi, 1750s
    The Sacrifice of IsaacFrancesco Guardi, 1750sCourtesy of the Cleveland Museum of Art
  2. ONE OF A SET OF TROPHIES OF WEAPONS OF WAR AS A DECORATION OF A HORIZONTAL PANEL
    One of a set of trophies of weapons of war as a decoration of a horizontal panelFrancesco Bedeschini, Italian, 1675-1699Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. A work made of etching in black ink on cream laid paper.
    A Young Woman Holding a CushionMonogrammist VCP, 1643Courtesy of the Art Institute of Chicago

Third room, north wall

  1. A work made of pen and brown ink and brush and brown ink wash on ivory laid paper.
    Holy Family with St. John and Two AngelsGiovanni Battista Tiepolo, n.d.Courtesy of the Art Institute of Chicago
  2. A work made of chiaroscuro woodcut, from three blocks in pink, dark blue, and light blue, on cream laid paper.
    The Old ShepherdConte Antonio Maria Zanetti, the Elder, 1722Courtesy of the Art Institute of Chicago