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William Page's contemporaries

A few works by William Page, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

8 works · hang 748 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. A work made of transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet.
    La Belle JardinièreJames McNeill Whistler, 1894Courtesy of the Art Institute of Chicago
  2. Colonel William Leete Stone, by William Page, 1839
    Colonel William Leete StoneWilliam Page, 1839Courtesy of the Cleveland Museum of Art
  3. Young Husband: First Marketing, by Lilly Martin Spencer, 1854
    Young Husband: First MarketingLilly Martin Spencer, 1854Courtesy of The Metropolitan Museum of Art
  4. Oil painting
    Harmony in Green and Rose: The Music RoomJames McNeill Whistler, 1860-1861Courtesy of the National Museum of Asian Art, Smithsonian Institution

Section 1, south wall

  1. View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, by Thomas Cole, 1836
    View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The OxbowThomas Cole, 1836Courtesy of The Metropolitan Museum of Art
  2. Spring Blossoms, Montclair, New Jersey, by George Inness, ca. 1891
    Spring Blossoms, Montclair, New JerseyGeorge Inness, ca. 1891Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. The Power of Music, by William Sidney Mount, 1847
    The Power of MusicWilliam Sidney Mount, 1847Courtesy of the Cleveland Museum of Art
  2. The image shows a scene from a slightly elevated point of view. The horizon is low, highlighting the vast sky above. On the right, there are buildings surrounded by trees. In the center, there is a tall monument with a small structure at its base, slightly to the left. To the right of the monument, a person is standing. The drawing features detailed linework and delicate shading for the sky. The color palette is monochromatic with shades of gray. Rocks and grass in the foreground lead towards the monument and buildings in the distance.
    Groton MonumentJ.R. Butts, c. 1830-1840Courtesy National Gallery of Art, Washington