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Mariano Fortuny's contemporaries

A few works by Mariano Fortuny, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

8 works · hang 748 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

With their contemporaries

  1. Beggars by a Door, by Mariano Fortuny, 1870
    Beggars by a DoorMariano Fortuny, 1870Courtesy of the Cleveland Museum of Art
  2. A work made of oil on panel.
    SpainFrancisco Domingo y Marqués, 1878Courtesy of the Art Institute of Chicago
  3. STUDY OF A BOWING MAN (CHRISTOPHER COLUMBUS)
    Study of a Bowing Man (Christopher Columbus)Raimundo de MadrazoCourtesy of Cooper Hewitt, Smithsonian Design Museum
  4. A work made of oil on masonite.
    SitgesJuan Roig y Soler, 19th centuryCourtesy of the Art Institute of Chicago

Their contemporaries

  1. A work made of oil on panel.
    The Hanged MonkFrancisco Goya, c. 1810Courtesy of the Art Institute of Chicago
  2. A work made of etching, aquatint, drypoint and burin on ivory laid paper.
    Pedro Romero killing the halted bull, plate 30 from The Art of BullfightingFrancisco Goya, 1814/16, published 1816Courtesy of the Art Institute of Chicago
  3. Seated Giant, by Francisco Goya, by 1818 (possibly 1814–18)
    Seated GiantFrancisco Goya, by 1818 (possibly 1814–18)Courtesy of The Metropolitan Museum of Art
  4. God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), by Francisco Goya, ca. 1816–20
    God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)Francisco Goya, ca. 1816–20Courtesy of The Metropolitan Museum of Art