Self-Portrait, from "The Iconography", previewed as a 16 by 20 inch giclée reproduction.

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Anthony van Dyck

Flemish, 1599–1641

Self-Portrait, from "The Iconography"ca. 1640

Etching; first state of seven

Sheet: 9 1/2 × 6 1/8 in. (24.1 × 15.6 cm)

Courtesy of The Metropolitan Museum of Art · 50.583.4

Van Dyck etched only his own head on this plate, and in this first state the face seems to float on the bare paper, set down in quick, flickering lines. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 11½ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Van Dyck etched only his own head on this plate, and in this first state the face seems to float on the bare paper, set down in quick, flickering lines. The plate was later used as the frontispiece of the Iconography, his celebrated series of portraits of princes, statesmen, scholars and fellow artists, and in later states another engraver added a pedestal and lettering around the head. Collectors have long prized early impressions like this one for showing the artist’s own hand at its most direct.

Written by Ochre Editions.

How it was made

Etching
The artist draws with a needle through a waxy coating on a copper plate, and acid bites the exposed lines. The plate is then inked, wiped and printed under pressure, so the line keeps the freedom of drawing.

Anthony van Dyck

Flemish, 1599–1641 · Born in Antwerp; died in London.

Van Dyck was the leading assistant in Rubens’s Antwerp studio before spending six years in Italy, chiefly in Genoa, where he painted the local aristocracy in elegant full-lengths. In 1632 he became principal painter to Charles I of England, and his portraits of the king, Queen Henrietta Maria and their court fixed the image of Caroline England and set the pattern for British portraiture for more than a century. He also conceived the Iconography, a series of etched portraits of notable contemporaries.

Written by Ochre Editions.

See all 4 works by Anthony van Dyck

Rights and the museum’s record

Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
50.583.4
Credit
Courtesy of The Metropolitan Museum of Art
Type
Prints
Department
Drawings and Prints
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