"Orchstres places aux Champs elysees, dans le gran carres", previewed as a 20 by 16 inch giclée reproduction.

Look closer

See it on a wall

Félix Duban

French, 1797–1870

"Orchstres places aux Champs elysees, dans le gran carres"1833

Watercolor, pen and black ink, graphite Support: light tan paper mounted on off-white paper

16.8 x 24 cm (6 5/8 x 9 7/16 in.)

Courtesy of Cooper Hewitt, Smithsonian Design Museum · 1991-17-1

Design for two open air pavilions. At right: A polyhedron pavilion structure with a white roof decorated at its edges with red palmettes. More about this work

See it in the galleries

Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
20 × 16 in · image 17¾ × 11½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

Made to order and shipped within the United States in about a week. Tax and shipping are added at checkout.

Download the full-resolution file, free · public domain, no account needed

About this work

Design for two open air pavilions. At right: A polyhedron pavilion structure with a white roof decorated at its edges with red palmettes. Below is an irregular cornice colored brown and with bright green scrollwork designs, which supports four red and white striped columns with abstract black designs at their bases. A central pole runs through the structure and it is articulated with the same scrollwork design of the cornice. The closed lower portion of the structure is divided into several horizontal bands of decoration articulated with abstract and geometric forms. Left: A blue and white striped triangular roof pavilion with a red striped pole on each end. The closed lower portion of the structure is articulated with an upper band of geometric designs in red, white, and blue and rows of square plaques below with similar decorative schemes.

Text from Cooper Hewitt, Smithsonian Design Museum.

What you’re looking at

"ORCHSTRES PLACES AUX CHAMPS ELYSEES, DANS LE GRAN CARRES"

Description from Cooper Hewitt, Smithsonian Design Museum.

How it was made

Watercolour
Pigment in gum arabic, thinned with water and laid in transparent washes. Nothing white is painted: the light is the paper showing through.
Graphite
Pencil. Graphite has been used for drawing since the 1500s; in 1795 Nicolas-Jacques Conté mixed it with clay, so its hardness could be graded.
Pen and ink
Drawn with a quill or reed pen, often with wash added by brush to model light and shadow.

Félix Duban

French, 1797–1870

Rights and the museum’s record

Public domain. Cooper Hewitt, Smithsonian Design Museum has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1991-17-1
Credit
Courtesy of Cooper Hewitt, Smithsonian Design Museum
Type
Drawing
Department
Cooper Hewitt, Smithsonian Design Museum
Report this work

Tell us if this image shouldn't be here, or if its record is wrong. A person reads every report.

What's the concern?

Close in colour