Mount Auburn Cemetery, previewed as a 20 by 16 inch giclée reproduction.

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Thomas Chambers

American, 1808–1866 or after

Mount Auburn Cemeterymid 19th century

oil on canvas

overall: 35.6 x 46 cm (14 x 18 1/8 in.) framed: 44.6 x 54.4 x 3.3 cm (17 9/16 x 21 7/16 x 1 5/16 in.)

Courtesy National Gallery of Art, Washington · 1958.5.1

Thomas Chambers painted this in the mid 19th century, aged about 17. It is now at the National Gallery of Art in Washington, DC. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
20 × 16 in · image 17¾ × 13½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

This painting shows a park-like landscape with trees, flowers, bushes, and a pond, all surrounded by light brown paths. The pond is in the center of the park, with light green-blue water framed by bushes, ferns, and tall flowers. Across from the pond are three large, white structures that could be mausoleums. Behind them is a hill with trees and more white graves or mausoleums on top of it. On either side of the pond, past the paths that encircle it, are tall trees with leaves in shades of dark green and brown. On the right side is a tall white structure that could be a grave or a monument. At the bottom of the painting, the paths curve up over a small hill in front of the pond. In between the paths are sections of grass dotted with small pink and white flowers. On the right side of the painting, a couple walks down the hill towards the pond. The person on the left wears a long blue coat decorated with gold buttons and a large, plumed hat, while the person on the right wears a pink gown and blue bonnet. Above the scene, the sky is blue, with puffy white clouds.

Description from the National Gallery of Art.

Thomas Chambers painted this in the mid 19th century, aged about 17. It is now at the National Gallery of Art in Washington, DC.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Thomas Chambers

American, 1808–1866 or after

See all 2 works by Thomas Chambers

Rights and the museum’s record

Public domain. The National Gallery of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1958.5.1
Credit
Courtesy National Gallery of Art, Washington
Type
Painting
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