In the Forest of Fontainebleau (Dans la foret de Fontainebleau), previewed as a 20 by 16 inch giclée reproduction.

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Alphonse Legros

French, 1837–1911

In the Forest of Fontainebleau (Dans la foret de Fontainebleau)

etching and drypoint

Courtesy National Gallery of Art, Washington · 1946.4.22

Alphonse Legros made this. It is now at the National Gallery of Art in Washington, DC. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
20 × 16 in · image 17¾ × 13½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

The image shows a sketch-like scene viewed from a slightly elevated perspective, depicting a landscape dominated by a line of trees. The horizon is low in the image, just above a rising slope, with tall trees extending towards the sky. The trees and foliage are characterized by brushstrokes and crosshatching technique, conveying texture and shading. The color palette is monochromatic, with dark and light tones for a serene, natural quality. Line and shadow add movement and highlight the beauty of the trees as they recede into the distance, merging with the sky.

Description from the National Gallery of Art.

Alphonse Legros made this. It is now at the National Gallery of Art in Washington, DC.

How it was made

Drypoint
Lines scratched straight into the plate with a needle throw up a ridge of metal, the burr, which holds ink and prints a soft, furred line. The burr wears down, so early impressions are the richest.
Etching
The artist draws with a needle through a waxy coating on a copper plate, and acid bites the exposed lines. The plate is then inked, wiped and printed under pressure, so the line keeps the freedom of drawing.

Alphonse Legros

French, 1837–1911

Legros trained in Dijon and Paris, where he befriended Whistler and Fantin-Latour, and in 1863 he settled in London at Whistler’s suggestion. His etchings and paintings of peasants, beggars, monks and forests carry the sober realism of his French training. He became an influential teacher, serving as Slade Professor at University College London from 1876 to 1892, and helped to revive etching and the cast portrait medal in Britain.

Written by Ochre Editions.

See all 5 works by Alphonse Legros

Rights and the museum’s record

Public domain. The National Gallery of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1946.4.22
Credit
Courtesy National Gallery of Art, Washington
Type
Print
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