Album of Seasonal Landscapes, previewed as a 16 by 20 inch giclée reproduction.

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Xiao Yuncong

Chinese, 1596–1673

Album of Seasonal Landscapes1668

Album of eight leaves; ink and light color on paper

Overall: 21 x 15.8 cm (8 1/4 x 6 1/4 in.)

Courtesy of the Cleveland Museum of Art · 1955.302

Throughout his lifetime, Xiao Yuncong visited Nanjing and Yangzhou, cities embedded in the fertile and water-rich Jiangnan region, as reflected in his paintings. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 193 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
16 × 20 in · image 12½ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Throughout his lifetime, Xiao Yuncong visited Nanjing and Yangzhou, cities embedded in the fertile and water-rich Jiangnan region, as reflected in his paintings. Xiao painted from nature, and his landscapes are informed by the seasons and his travels, as well as by his experience as a print designer. Xiao’s fresh, light colors continue to appear in later Shanghai school paintings. This album was formerly in the collection of Li Yufen in Yangzhou and then owned by Wu Hufan in Shanghai. While the artist impressed his seal consistently below his poetic inscriptions in the upper parts of the composition, the red seals on the margins and in the lower corners of the paintings are impressions by the album’s previous owners.

Text from the Cleveland Museum of Art.

How it was made

Album leaf
A page from an album, meant to be held and looked at closely, one opening at a time.
Ink on paper
Ink made from soot and animal glue, ground with water on an inkstone. A single brush can give a hair-fine line or a broad wash, and nothing can be corrected.

Xiao Yuncong

Chinese, 1596–1673

Xiao Yuncong was a painter from Wuhu in Anhui province who refused to serve the Qing after the fall of the Ming dynasty and lived as a loyalist recluse. He is regarded as the founder of the Gushu school of landscape painting, known for its dry, angular brushwork and crystalline rock forms. His designs for a woodblock-illustrated album of the scenery of Taiping prefecture, published in 1648, were widely influential.

Written by Ochre Editions.

See all 3 works by Xiao Yuncong

Chinese painting

Ink and colour on silk and paper, from imperial courts to scholars' retreats.

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Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1955.302
Credit
Courtesy of the Cleveland Museum of Art
Type
Painting
Department
Chinese Art
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