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Ukiyo-e

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

172 works · hang 9444 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. A work made of color woodblock print, oban triptych.
    Sei Shonagon, from the series Ancient Patterns (Kodai moyo)Kobayashi Kiyochika, Meiji period (1896–1912), 1896Courtesy of the Art Institute of Chicago
  2. “Hour of the Rat: Mistress,” from the series Women’s Daily Customs (Fuzoku bijin tokei), by Kitagawa Utamaro, 1790
    “Hour of the Rat: Mistress,” from the series Women’s Daily Customs (Fuzoku bijin tokei)Kitagawa Utamaro, 1790Courtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print; hosoban; triptych.
    The Actors Otani Hiroji III as Yokambei (right), Nakamura Tomijuro I as Kuzunoha (center), and Bando Mitsugoro I as Yakambei (left), in the Last Scene from the Play Shinodazuma (The Wife from Shinoda Forest), Performed as a Supplement to the Play Kikyo-zome Onna Urakata (Female Diviner in Deep Violet), at the Morita Theater from the Ninth Day of the Ninth Month, 1776Katsukawa Shunshō, c. 1776Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. A work made of color woodblock print; chuban.
    Giving a Light by the Garyubai Plum TreeSuzuki Harunobu, c. 1767/68Courtesy of the Art Institute of Chicago
  2. Scene of Foxfire (Kitsunebi) from the Play Honchō nijūshikō, by Yōshū (Hashimoto) Chikanobu, 1898
    Scene of Foxfire (Kitsunebi) from the Play Honchō nijūshikōYōshū (Hashimoto) Chikanobu, 1898Courtesy of The Metropolitan Museum of Art
  3. A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
    A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art

Section 2, south wall

  1. A work made of color woodblock print; chuban.
    The Poetess Ono no KomachiSuzuki Harunobu, Edo period (1615–1868), 1767/68Courtesy of the Art Institute of Chicago
  2. Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), by Katsushika Hokusai, ca. 1830–32
    Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)Katsushika Hokusai, ca. 1830–32Courtesy of The Metropolitan Museum of Art
  3. A work made of hand-colored woodblock print; vertical oban diptych, sumizuri-e.
    The Actor Onoe Kikugoro I holding a puppet of the Actor Sanogawa Ichimatsu IIshikawa Toyonobu, c. 1740sCourtesy of the Art Institute of Chicago

Section 2, north wall

  1. Kanō, from the series Sixty-nine Stations of the Kisokaidō, by Utagawa Hiroshige, c. 1835–37
    Kanō, from the series Sixty-nine Stations of the KisokaidōUtagawa Hiroshige, c. 1835–37Courtesy of the Cleveland Museum of Art
  2. A work made of color woodblock print; surimono.
    Three Types of ChrysanthemumsKitao Shigemasa, c. 1790Courtesy of the Art Institute of Chicago
  3. A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
    A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art

Section 3, north wall

  1. A Courtesan, by Kitagawa Utamaro
    A CourtesanKitagawa UtamaroCourtesy of The Metropolitan Museum of Art
  2. England (Igirisukoku), by Utagawa Yoshitora, 2nd month, 1865
    England (Igirisukoku)Utagawa Yoshitora, 2nd month, 1865Courtesy of The Metropolitan Museum of Art

Section 3, south wall

  1. Women Grating Radish for Sashimi, by Kitagawa Utamaro, ca. 1798–99
    Women Grating Radish for SashimiKitagawa Utamaro, ca. 1798–99Courtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print.
    Women and Children Viewing the FireworksKatsushika Hokusai, c. 1798Courtesy of the Art Institute of Chicago