Ochre Editions
SearchSign inCart (0)

Ukiyo-e

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

172 works · hang 8184 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the Tōkaidō, by Utagawa Hiroshige, c. 1848–50
    Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the TōkaidōUtagawa Hiroshige, c. 1848–50Courtesy of the Cleveland Museum of Art
  2. Table and Writing Set, by Kubo Shunman, 19th century
    Table and Writing SetKubo Shunman, 19th centuryCourtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print.
    Women and Children Viewing the FireworksKatsushika Hokusai, c. 1798Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. A work made of color woodblock print; chuban.
    Giving a Light by the Garyubai Plum TreeSuzuki Harunobu, c. 1767/68Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; chūban.
    Searching for FirefliesSuzuki Harunobu, 1768Courtesy of the Art Institute of Chicago
  3. A work made of color woodblock print; oban.
    Lake Suwa in Shinano Province (Shinshu Suwako), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, c. 1830/33Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. A work made of woodblock print in black ink and watercolor on cream japanese paper.
    The Priest Kobo Daishi at the Tama River in Kii Province from the series The Six Tama RiversTorii Kiyomasu, c. 1725-1735Courtesy of the Art Institute of Chicago
  2. A work made of page from a color woodblock-printed volume.
    The Poetess Shunzei no Musume, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)Chôbunsai Eishi, Edo period (1615–1868), 1801Courtesy of the Art Institute of Chicago
  3. A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
    A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art

Section 2, north wall

  1. Plate from the Erotic Book Mounds of Dyed Colors: A Pattern Book for the Boudoir (Someiro no yama neya no hinagata), First Month, by Okumura Masanobu, ca. 1736–44
    Plate from the Erotic Book Mounds of Dyed Colors: A Pattern Book for the Boudoir (Someiro no yama neya no hinagata), First MonthOkumura Masanobu, ca. 1736–44Courtesy of The Metropolitan Museum of Art
  2. Ōtsu, from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Ōtsu), 1847–52
    Ōtsu, from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Ōtsu)Unrecorded Japanese maker, 1847–52Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. Chushingura: Act I (from the series Perspective Pictures for The Treasure House of Loyalty), by Kitao Masayoshi, c. 1790s
    Chushingura: Act I (from the series Perspective Pictures for The Treasure House of Loyalty)Kitao Masayoshi, c. 1790sCourtesy of the Cleveland Museum of Art
  2. Segawa Tomisaburō II as Yadorigi in the Play "Hana Ayame Bunroku Soga", by Tōshūsai Sharaku, 1794
    Segawa Tomisaburō II as Yadorigi in the Play "Hana Ayame Bunroku Soga"Tōshūsai Sharaku, 1794Courtesy of The Metropolitan Museum of Art
  3. Women Viewing Cherry Blossoms at Asukayama, by Katsukawa Shunchô, 1780s
    Women Viewing Cherry Blossoms at AsukayamaKatsukawa Shunchô, 1780sCourtesy of the Cleveland Museum of Art

Section 3, south wall

  1. A work made of color woodblock print; chuban.
    Delaying the announcement of dawnSuzuki Harunobu, c. 1767/68Courtesy of the Art Institute of Chicago
  2. A Picture of the Viewing in the Pleasure Quarters, by Kikukawa Eizan, 1810s
    A Picture of the Viewing in the Pleasure QuartersKikukawa Eizan, 1810sCourtesy of the Cleveland Museum of Art