Ukiyo-e
Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.
Section 1, north wall

Perspective Pictures for The Treasure House of LoyaltyKitao Masayoshi, c. 1790sCourtesy of the Cleveland Museum of Art 
Kanō, from the series Sixty-nine Stations of the KisokaidōUtagawa Hiroshige, c. 1835–37Courtesy of the Cleveland Museum of Art
Section 1, south wall

A Pine Tree and CamelliasNiwa Tokei, 1840Courtesy of the Art Institute of Chicago 
France (furansukoku)Utagawa Yoshitora, 2nd month, 1865Courtesy of The Metropolitan Museum of Art
Section 2, south wall

Kabuki Actors Asao Yūjirō as Sano Genzaemon and Ichikawa Ebijūrō I as Miura Arajirō, in the play Keisei Sano no FunabashiShunkōsai Hokushū, 1822Courtesy of The Metropolitan Museum of Art 
The Actor Onoe Kikugoro I holding a puppet of the Actor Sanogawa Ichimatsu IIshikawa Toyonobu, c. 1740sCourtesy of the Art Institute of Chicago 
Yōrō Waterfall in Mino Province (Mino no Yōrō no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)Katsushika Hokusai, ca. 1832Courtesy of The Metropolitan Museum of Art
Section 2, north wall

Women Beside a Stream Chasing FirefliesChôbunsai Eishi, c. 1796–97Courtesy of the Cleveland Museum of Art 
Girl on Balcony above Stone StairwaySuzuki Harunobu, ca. 1768Courtesy of The Metropolitan Museum of Art 
Sazai Hall at the Temple of the Five Hundred Arhats (Gohyakurakanji Sazaido), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, c. 1830/33Courtesy of the Art Institute of Chicago
Section 3, north wall

A Picture of the Viewing in the Pleasure QuartersKikukawa Eizan, 1810sCourtesy of the Cleveland Museum of Art 
View of Futami Beach at IseShōtei Hokuju, ca. 1810–1820Courtesy of The Metropolitan Museum of Art 
Scene of Foxfire (Kitsunebi) from the Play Honchō nijūshikōYōshū (Hashimoto) Chikanobu, 1898Courtesy of The Metropolitan Museum of Art
Section 3, south wall

Eight Modern Views of Famous Places in Tokyo of Great Japan (Dai Nippon Tokyo kaika meisho hakkei no zu)Utagawa Kunisada II (Kunimasa III, Toyokuni IV), 1875Courtesy of the Art Institute of Chicago 
Women Viewing Cherry Blossoms at AsukayamaKatsukawa Shunchô, 1780sCourtesy of the Cleveland Museum of Art 
A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art