Floor plan

Style galleriesUkiyo-e

Ukiyo-e

Perspective Pictures for The Treasure House of Loyalty, by Kitao Masayoshi, c. 1790s
Kanō, from the series Sixty-nine Stations of the Kisokaidō, by Utagawa Hiroshige, c. 1835–37
A work made of color woodblock print; surimono.
France (furansukoku), by Utagawa Yoshitora, 2nd month, 1865

The works in this room are listed below.

Works in this room

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

Section 1, north wall

  1. Perspective Pictures for The Treasure House of Loyalty, by Kitao Masayoshi, c. 1790s
    Perspective Pictures for The Treasure House of LoyaltyKitao Masayoshi, c. 1790sCourtesy of the Cleveland Museum of Art
  2. Kanō, from the series Sixty-nine Stations of the Kisokaidō, by Utagawa Hiroshige, c. 1835–37
    Kanō, from the series Sixty-nine Stations of the KisokaidōUtagawa Hiroshige, c. 1835–37Courtesy of the Cleveland Museum of Art

Section 1, south wall

  1. A work made of color woodblock print; surimono.
    A Pine Tree and CamelliasNiwa Tokei, 1840Courtesy of the Art Institute of Chicago
  2. France (furansukoku), by Utagawa Yoshitora, 2nd month, 1865
    France (furansukoku)Utagawa Yoshitora, 2nd month, 1865Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. Kabuki Actors Asao Yūjirō as Sano Genzaemon and Ichikawa Ebijūrō I as Miura Arajirō, in the play Keisei Sano no Funabashi, by Shunkōsai Hokushū, 1822
    Kabuki Actors Asao Yūjirō as Sano Genzaemon and Ichikawa Ebijūrō I as Miura Arajirō, in the play Keisei Sano no FunabashiShunkōsai Hokushū, 1822Courtesy of The Metropolitan Museum of Art
  2. A work made of hand-colored woodblock print; vertical oban diptych, sumizuri-e.
    The Actor Onoe Kikugoro I holding a puppet of the Actor Sanogawa Ichimatsu IIshikawa Toyonobu, c. 1740sCourtesy of the Art Institute of Chicago
  3. Yōrō Waterfall in Mino Province (Mino no Yōrō no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri), by Katsushika Hokusai, ca. 1832
    Yōrō Waterfall in Mino Province (Mino no Yōrō no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)Katsushika Hokusai, ca. 1832Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. Women Beside a Stream Chasing Fireflies, by Chôbunsai Eishi, c. 1796–97
    Women Beside a Stream Chasing FirefliesChôbunsai Eishi, c. 1796–97Courtesy of the Cleveland Museum of Art
  2. Girl on Balcony above Stone Stairway, by Suzuki Harunobu, ca. 1768
    Girl on Balcony above Stone StairwaySuzuki Harunobu, ca. 1768Courtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print; oban.
    Sazai Hall at the Temple of the Five Hundred Arhats (Gohyakurakanji Sazaido), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, c. 1830/33Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. A Picture of the Viewing in the Pleasure Quarters, by Kikukawa Eizan, 1810s
    A Picture of the Viewing in the Pleasure QuartersKikukawa Eizan, 1810sCourtesy of the Cleveland Museum of Art
  2. View of Futami Beach at Ise, by Shōtei Hokuju, ca. 1810–1820
    View of Futami Beach at IseShōtei Hokuju, ca. 1810–1820Courtesy of The Metropolitan Museum of Art
  3. Scene of Foxfire (Kitsunebi) from the Play Honchō nijūshikō, by Yōshū (Hashimoto) Chikanobu, 1898
    Scene of Foxfire (Kitsunebi) from the Play Honchō nijūshikōYōshū (Hashimoto) Chikanobu, 1898Courtesy of The Metropolitan Museum of Art

Section 3, south wall

  1. A work made of color woodblock print; oban triptych.
    Eight Modern Views of Famous Places in Tokyo of Great Japan (Dai Nippon Tokyo kaika meisho hakkei no zu)Utagawa Kunisada II (Kunimasa III, Toyokuni IV), 1875Courtesy of the Art Institute of Chicago
  2. Women Viewing Cherry Blossoms at Asukayama, by Katsukawa Shunchô, 1780s
    Women Viewing Cherry Blossoms at AsukayamaKatsukawa Shunchô, 1780sCourtesy of the Cleveland Museum of Art
  3. A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
    A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art