Ukiyo-e
Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.
Section 1, north wall

The Shika TeahouseUtagawa Toyokuni, early 1790sCourtesy of the Cleveland Museum of Art 
Dawn over Mout Fuji and Susaki, from the series "Five Views of Mount Fuji (Fuji goban no uchi)"Utagawa Kuniyoshi, c. 1827/29Courtesy of the Art Institute of Chicago 
Morning Glories, Pinks, and Maiden Flower, from the series "Seven Autumn Flowers in Moonlight"Utagawa Hiroshige, 1830/44Courtesy of the Art Institute of Chicago
Section 1, south wall

Segawa Tomisaburō II as Yadorigi in the Play "Hana Ayame Bunroku Soga"Tōshūsai Sharaku, 1794Courtesy of The Metropolitan Museum of Art 
Foreigners in the Drawing Room of Foreign Merchant's House in YokohamaUtagawa (Gountei) Sadahide, 9th month, 1861Courtesy of The Metropolitan Museum of Art
Section 2, south wall

Tea House Beside the Kamo River in KyotoNishimura Shigenaga (Japanese, 1697(?)-1756), 1740sCourtesy of the Cleveland Museum of Art 
Evening Snow at Kanbara, from the series "Fifty-three Stations of the Tōkaidō"Utagawa Hiroshige, ca. 1833–34Courtesy of The Metropolitan Museum of Art
Section 2, north wall

Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)Katsushika Hokusai, ca. 1830–32Courtesy of The Metropolitan Museum of Art 
The Poetess Shunzei no Musume, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)Chôbunsai Eishi, Edo period (1615–1868), 1801Courtesy of the Art Institute of Chicago 
Foreign Business Establishment in Yokohama (Yokohama ijin shōkan uriba no zu)Utagawa (Gountei) Sadahide, 9th month, 1861Courtesy of The Metropolitan Museum of Art
Section 3, north wall

One Person, Six Expressions (Hitori rokumenso)Kobayashi Kiyochika, 1884Courtesy of the Art Institute of Chicago 
Xu You and Chao FuOkumura Masanobu, 18th centuryCourtesy of The Metropolitan Museum of Art 
The Ninth Month, from the series Five Amorous Festivals of Love (Aibore iro no gosekku)Kitagawa Utamaro, 1801Courtesy of the Art Institute of Chicago
Section 3, south wall

“Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi)Kitagawa Utamaro, ca. 1790Courtesy of The Metropolitan Museum of Art 
Table and Writing SetKubo Shunman, 19th centuryCourtesy of The Metropolitan Museum of Art 
Illustration of a Balloon Ascending (Fūsen shōyō no zu)Utagawa Yoshitora, November, 1872Courtesy of The Metropolitan Museum of Art