Ukiyo-e
Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.
Section 1, north wall

The Shika TeahouseUtagawa Toyokuni, early 1790sCourtesy of the Cleveland Museum of Art 
Collection of Desires, Wish for Foreign Travel (Mitate Tai zukushi-yōkō ga shitai)Tsukioka Yoshitoshi, January, 1878Courtesy of The Metropolitan Museum of Art 
Evening Snow at Kanbara, from the series "Fifty-three Stations of the Tōkaidō"Utagawa Hiroshige, ca. 1833–34Courtesy of The Metropolitan Museum of Art
Section 1, south wall

The Dance of the Shrine Maidens Ohatsu and OnamiSuzuki Harunobu, c. 1769Courtesy of the Art Institute of Chicago 
A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art 
Mount Fuji Rising beyond Miho BeachUtagawa Hiroshige, c. 1838/42Courtesy of the Art Institute of Chicago
Section 2, south wall

Image of a Japanese Woman (Fujo Yamato sugata)Utagawa Kunisada I (Toyokuni III), c. 1830/35Courtesy of the Art Institute of Chicago 
A Windy Day under the Cherry TreesUtagawa Toyokuni, c. 1797Courtesy of the Art Institute of Chicago 
Woman About to Write a PoemYashima Gakutei, c. 1824Courtesy of the Art Institute of Chicago
Section 2, north wall

Cherry Shell, from the series Genroku Poetry Shell GamesKatsushika Hokusai, probably 1821Courtesy of The Metropolitan Museum of Art 
Vehicles on the Streets of TokyoUtagawa Yoshitora, 1870Courtesy of The Metropolitan Museum of Art
Section 3, north wall

England (Igirisukoku)Utagawa Yoshitora, 2nd month, 1865Courtesy of The Metropolitan Museum of Art 
Cherry Blossoms in the WindUtagawa Toyokuni, late 1790sCourtesy of the Cleveland Museum of Art
Section 3, south wall

Foreign Business Establishment in Yokohama (Yokohama ijin shōkan shashin no zu)Utagawa (Gountei) Sadahide, 1861Courtesy of The Metropolitan Museum of Art 
Matsumoto Koshiro IV as the Fish Peddler GorobeiTōshūsai Sharaku, Probably late 1880s or early 1890sCourtesy of The Metropolitan Museum of Art 
Courtesan WalkingKaigetsudo Anchi, c. 1714Courtesy of the Art Institute of Chicago