Realism
Ordinary people and working lives, painted as they were, from the 1840s on.
First room, north wall

Autumn OaksGeorge Inness, ca. 1878Courtesy of The Metropolitan Museum of Art 
The Champion Single Sculls (Max Schmitt in a Single Scull)Thomas Eakins, 1871Courtesy of The Metropolitan Museum of Art 
Young Husband: First MarketingLilly Martin Spencer, 1854Courtesy of The Metropolitan Museum of Art
First room, south wall

Roses in a VaseUnrecorded French maker, 1880/1900Courtesy National Gallery of Art, Washington 
PlumsJohn William Hill, 1870Courtesy of The Metropolitan Museum of Art 
Still Life—Violin and MusicWilliam Michael Harnett, 1888Courtesy of The Metropolitan Museum of Art 
Harmony in Green and Rose: The Music RoomJames McNeill Whistler, 1860-1861Courtesy of the National Museum of Asian Art, Smithsonian Institution
Second room, south wall

Seventh Regiment on Review, Washington Square, New YorkOtto Boetticher, 1851Courtesy of The Metropolitan Museum of Art 
Stage Fort across Gloucester HarborFitz Henry Lane, 1862Courtesy of The Metropolitan Museum of Art 
Rookwood PotteryGeorge Gibson, 1886Courtesy of Cooper Hewitt, Smithsonian Design Museum
Second room, north wall

Dance in a Subterranean Roundhouse at Clear Lake, CaliforniaJules Tavernier, 1878Courtesy of The Metropolitan Museum of Art 
The Yellow RoomJames McNeill Whistler, ca. 1883–84Courtesy of The Metropolitan Museum of Art 
Pink Note–Shelling PeasJames McNeill Whistler, 1882-1884Courtesy of the National Museum of Asian Art, Smithsonian Institution 
John Quincy Adams WardHenry Augustus Loop, 1863Courtesy of The Metropolitan Museum of Art
Third room, north wall

The Belated Party on Mansfield MountainJerome B. Thompson, 1858Courtesy of The Metropolitan Museum of Art 
Madame X (Virginie Amélie Avegno Gautreau)John Singer Sargent, 1883–84Courtesy of The Metropolitan Museum of Art