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Prints of the 19th century

Prints made in the 19th century, from every museum.

159 works · hang 9870 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. Weymouth Bay, by David Lucas, 1830
    Weymouth BayDavid Lucas, 1830Courtesy of The Metropolitan Museum of Art
  2. Portrait of Mrs. C--, by Henry Wolf, 1894
    Portrait of Mrs. C--Henry Wolf, 1894Courtesy of the Smithsonian American Art Museum
  3. The image shows a small body of water with grass-covered banks on either side. The viewpoint is slightly elevated, looking down at the scene. The horizon is in the upper third of the composition, separating the sky from the land. The artwork features intricate linework and stippling to create texture and detail, particularly in the tree branches. The color palette is monochrome, with shades of sepia and brown. A tree dominates the right side of the scene, leaning over the water. In the distance, more trees and fields are visible with minimal detail in the far background.
    Apple Trees along the Side of a DitchPieter Dupont, 1894Courtesy National Gallery of Art, Washington

Section 1, south wall

  1. A work made of color woodblock print; uchiwa-e.
    Iwai Kumesaburo II as the Courtesan Takao in Banzei Okuni KabukiUtagawa Kunisada, c. 1827Courtesy of the Art Institute of Chicago
  2. American Woman Riding Side-Saddle on the Road at Honmoku, Motomura, Yokohama (America Yokohama Motomura Honmoku michi), by Utagawa Hiroshige II, 2nd month, 1861
    American Woman Riding Side-Saddle on the Road at Honmoku, Motomura, Yokohama (America Yokohama Motomura Honmoku michi)Utagawa Hiroshige II, 2nd month, 1861Courtesy of The Metropolitan Museum of Art
  3. Illustration of a Balloon Ascending (Fūsen shōyō no zu), by Utagawa Yoshitora, November, 1872
    Illustration of a Balloon Ascending (Fūsen shōyō no zu)Utagawa Yoshitora, November, 1872Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. This image shows a rural landscape with a pond in the foreground where cattle are being herded by a person on horseback. There are low buildings with smoking chimneys in the middle ground. Trees on the horizon separate the land from the sky, which is filled with clouds. The painting is detailed with a consistent brushwork, capturing foliage and buildings. The color palette is primarily sepia, giving a vintage and serene feel to the scene.
    View in Normandy (Vue prise en Normandie)Jules Dupré, 1835Courtesy National Gallery of Art, Washington
  2. Fudō Myōō Threatening a Novice, by Tsukioka Yoshitoshi, 1885
    Fudō Myōō Threatening a NoviceTsukioka Yoshitoshi, 1885Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. Numazu Ki Kure, by Utagawa Hiroshige, ca. 1834
    Numazu Ki KureUtagawa Hiroshige, ca. 1834Courtesy of The Metropolitan Museum of Art
  2. Foreign Business Establishment in Yokohama (Yokohama ijin shōkan uriba no zu), by Utagawa (Gountei) Sadahide, 9th month, 1861
    Foreign Business Establishment in Yokohama (Yokohama ijin shōkan uriba no zu)Utagawa (Gountei) Sadahide, 9th month, 1861Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
    A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art
  2. The image shows two individuals seated outdoors near a body of water with their feet submerged. Both individuals are seen from head to toe. The person on the left is seated with a slightly hunched posture, reading a document or a book. They have a balding head, wear glasses, a dark suit with the coat draped over their knees, and a top hat placed on the ground. The individual on the right is sitting upright with a scarf over their hair. They wear a long dress with a shawl, and their hands rest on their lap. The background features a bare tree and a rough, sketched environment. The sky and landscape are depicted in shades of light and dark.
    Une lecture intéressante et rafraichissanteHonoré Daumier, 1854Courtesy National Gallery of Art, Washington

Section 3, south wall

  1. The image shows two women walking arm in arm, both in traditional attire. One woman is facing away with a slight profile, while the other is seen from the side. Their faces are stylized and simplistic with covered hair. They wear long dresses with aprons and collars, and one has a striped apron. Haystacks and greenery surround them. Faint figures are in the background, as well as a spire-like structure. A dog is seen near the haystack, with simple lines suggesting a landscape.
    Pleasures of Brittany (Joies de Bretagne)Paul Gauguin, 1889Courtesy National Gallery of Art, Washington
  2. A work made of color woodblock print; uchiwa-e, aizuri-e.
    Mount Fuji Rising beyond Miho BeachUtagawa Hiroshige, c. 1838/42Courtesy of the Art Institute of Chicago

Section 4, south wall

  1. A work made of color lithograph on paper.
    The Old ViolinWilliam Michael Harnett, 1887Courtesy of the Art Institute of Chicago
  2. The image depicts the upper half of a man's body, seated with his head tilted downwards. He has a pronounced brow and a long beard. His hair is sparse and closely cropped. He is wearing a textured cloak or robe, holding a hat in one hand and resting it on his knee. In the background, there is a large, bare tree trunk with bare branches.
    Beggar with Hat in Hand (Mendiant avec son chapeau a la main)Alphonse LegrosCourtesy National Gallery of Art, Washington