Romanticism and Realism
Storms, ruins and feeling from about 1780, then ordinary people and working lives painted as they were, from the 1840s on.
Section 1, north wall

Elijah BoardmanRalph Earl, 1789Courtesy of The Metropolitan Museum of Art 
Mother and SonThomas Sully, 1840Courtesy of The Metropolitan Museum of Art 
Rookwood PotteryGeorge Gibson, 1886Courtesy of Cooper Hewitt, Smithsonian Design Museum
Section 1, south wall

Fruit on a TrayUnrecorded American maker, c. 1840Courtesy National Gallery of Art, Washington 
SunriseGeorge Inness, 1887Courtesy of The Metropolitan Museum of Art 
The Interior of the Palm House on the Pfaueninsel Near PotsdamCarl Blechen, 1834Courtesy of the Art Institute of Chicago
Section 2, south wall

Young Husband: First MarketingLilly Martin Spencer, 1854Courtesy of The Metropolitan Museum of Art 
At the SeasideWilliam Merritt Chase, ca. 1892Courtesy of The Metropolitan Museum of Art 
A Village SquareWalter Shirlaw, 1875–80Courtesy of Cooper Hewitt, Smithsonian Design Museum 
The Falls of NiagaraEdward Hicks, ca. 1825Courtesy of The Metropolitan Museum of Art
Section 2, north wall

The Champion Single Sculls (Max Schmitt in a Single Scull)Thomas Eakins, 1871Courtesy of The Metropolitan Museum of Art 
George WashingtonCharles Peale Polk, ca. 1790Courtesy of The Metropolitan Museum of Art 
The Belated Party on Mansfield MountainJerome B. Thompson, 1858Courtesy of The Metropolitan Museum of Art
Section 3, north wall

Wild Roses and IrisesJohn La Farge, 1887Courtesy of The Metropolitan Museum of Art 
Autumn OaksGeorge Inness, ca. 1878Courtesy of The Metropolitan Museum of Art 
Captain John GellGilbert Stuart, 1785Courtesy of The Metropolitan Museum of Art